Sonata for Violoncello and Piano G minor Op. 65 肖邦 奏鸣曲 大提琴(含钢琴伴奏) 亨乐版

众所周知，肖邦几乎只创作钢琴独奏曲。只有大提琴作品例外：两部作品--《波罗乃兹辉煌舞曲》和《二重奏协奏曲》（HN 788）--是为大提琴和钢琴而作，他还让大提琴在《钢琴三重奏作品 8》（HN 1068）中表现自己。8》（HN 1068）中，他也让大提琴表现自己。最后，在他生命的最后阶段，他为低弦乐器创作了一首气势恢宏的 G 小调四乐章奏鸣曲。大量的素描资料证明，这首奏鸣曲绝非儿戏。肖邦自己也声称 "对于我的大提琴奏鸣曲，我时而满意，时而不满意。我把它扔到角落里，然后又捡起来"。今天，我们只能对这种挣扎略知一二。这首奏鸣曲及其著名的旋律性 "拉格 "乐章，如今已牢牢烙印在大提琴文学的典籍中"

作曲家: Frédéric Chopin
校订者: Ewald Zimmermann
乐器: Cello; Piano
出版社: Henle Urtext Edition

曲目:
Chopin: Sonata for Violoncello and Piano g minor op. 65

原文简介:
It is well known that Chopin almost exclusively wrote works for solo piano. Only for the cello did he make some exceptions: two works – a Polonaise brillante and the Duo Concertant (HN 788) were written for cello and piano, and he also let the cello express itself in his Piano Trio op. 8 (HN 1068). Finally, towards the end of his life, he honored the low-stringed instrument with a grand, four-movement Sonata in G minor. Proof that it was anything but child's play is provided by the extensive sketch material. Chopin himself claimed: “With my cello sonata, I am now satisfied and now dissatisfied. I toss it into the corner, then pick it up again.” Today we only have an inkling about this struggle. The sonata, with its famous melodic Largo movement, is now firmly embedded in the canon of cello literature.