Sonata for piano 奏鸣曲钢琴 钢琴独奏 朔特版

这首奏鸣曲是埃尔金斯的作品之一，普通听众在初听时可能无法将其归属于某个特定的地域。然而，他将被一种独特的身份感、令人惊讶的和声和节奏所吸引，这些都以如此真诚和真实的方式融入音乐的流程中。如果再仔细聆听，就会发现埃尔金斯总是以非凡的灵感改造古代安纳托利亚音乐的特点，将不熟悉这种文化的听众带入音乐中，这种音乐往往具有深邃的精神内涵，其复调织体令人赞叹，没有一个小节显得多余或格格不入。第一乐章快板由两个对比鲜明的主题编织而成，第一个主题是中音区的有力进行，其中的协奏元素准为对位。在第二乐章Adagio molto sostenuto中，深刻、内敛的第一主题在变奏中得到了发展，抒情性极强。最后的快板充满活力和决心，由抽象的安纳托利亚民间音乐元素组成，带有埃尔金斯的创作印记。乐章在令人印象深刻的高潮中结束

作曲家: Erkin, Ulvi Cemal
乐器: piano
出版社: Schott Music

曲目:
Allegro - Adagio molto sostenuto - Allegro

原文简介:
The Sonata is one of Erkin’s works which the casual listener may fail to attribute to a particular geography at a first hearing. He will however become absorbed by a unique sense of identity, surprising harmonies and rhythms which integrate with such sincerity and authenticity in the flowof the music. At a more attentive hearing, one can discover features of ancient Anatolian music which Erkin always transforms with extraordinary inspiration, enfolding audiences unfamiliar with this culture in a music which is often profoundly spiritual with an admirably woven polyphonic texture in which not one bar seems superfluous or out of place.The first movement Allegro is woven from two contrasting themes. The first is a vigorous progression in the middle register with contrapuntal elements quasi as counterpoint. A luminous second theme evoking folk tunes connects back to the first theme and the movement ends in a brisk tone.In the second movement Adagio molto sostenuto a profound, introspective first theme is developed in variations of exquisite lyricism. The imposing middle section which forms a rondo suggests latent unrest.Imbued with energy and determination, the final Allegro consists of abstracted elements of Anatolian folk music bearing the creative stamp of Erkin. The movement ends with an impressive crescendo.