Sonata A minor for flute solo Wq 132/H 562 for Flute solo 巴赫卡尔‧菲利普‧艾曼纽 奏鸣曲小调长笛 长笛 长笛独奏 维也纳原典版

卡尔-菲利普-伊曼纽尔-巴赫（Carl Philipp Emanuel Bach）的《A 小调长笛独奏奏鸣曲》（Sonata in A minor for solo flute quasi）与其父亲约翰-塞巴斯蒂安（Johann Sebastian）的同调部分奏鸣曲相对应。这首奏鸣曲创作于 1747 年，但直到 1763 年才出版，与他父亲长达 30 年的作品相比，它预示着一个新时代的感伤风格。相比，他父亲的作品要早 30 年。该版本以第一版为基础，第一版藏于 C. Ph. E. Bach 和其他作曲家的钢琴作品中。E. 巴赫和其他作曲家的钢琴作品中。1763 年出版的另一个版本被证明是第一版的后代，其音乐文本与第一版完全相同，因此可以排除该版本的来源。但该版本也是基于哥本哈根基德收藏馆收藏的 18 世纪晚期的副本，该副本对长笛文献具有重要意义。虽然它似乎也可追溯到初版，但它在某些段落对初版的不足之处进行了当代纠正。库伊肯的学生苏珊娜-施拉格（Susanne Schrage）的实用演奏注释不仅通过巴赫柏林同乡作曲家约翰-约阿希姆-昆茨（Johann Joachim Quantz）的长笛演奏法贴近音乐文本，而且还分析了 C. Ph. E. 巴赫本人的《Versuch über die wahre Art, das Clavier zu spielen》中的相关章节，从而提供了对巴赫作品的诠释。E.巴赫本人的《Vuchüber die wahre Art, das Clavier zu spielen》中的相关章节进行了分析，从而从作曲家的角度提供了正确的诠释帮助

作曲家: Bach, Carl Philipp Emanuel
编者: Reutter, Jochen
乐器: flute
出版社: Wiener Urtext Edition
原文简介:
Carl Philipp Emanuel Bach's Sonata in A minor for solo flute quasi constitutes a counterpart to the partita of his father Johann Sebastian in the same key. Created in 1747, but unpublished until 1763, it heralds the sentimental style of a new era, compared to the ca. 30 years older work of his father. The edition is based on the first edition which is hidden among piano works by C. Ph. E. Bach and other composers in the anthology 'Musikalisches Mancherley'. A separate edition, also published in 1763, proved to be an offspring of the first edition with identical musical text and could be eliminated as source for the edition. But the edition was also based on a late 18th-century copy from the Giedde Collection in Copenhagen which is of great significance to the flute literature. Although it also seems to go back to the first edition, it nevertheless turns out to be a contemporary corrective to deficiencies of the first edition in some passages. The practical performance notes of the Kuijken pupil Susanne Schrage not only come close to the musical text by means of the flute method of Bach's Berlin fellow composer Johann Joachim Quantz, but also analyse relevant chapters of 'Versuch über die wahre Art, das Clavier zu spielen' by C. Ph. E. Bach himself, thus providing interpretational aids right from the composer's perspective.