Shulamith Danses sacrées 大提琴加钢琴 朔特版

歌 "或 "所罗门之歌 "是《圣经》中最神秘的文本之一。如果说所罗门的性格本身就令人费解，那么'新娘'的性格就更加令人费解了。圣奥古斯丁和许多其他训诂学家将这场感官的绚丽焰火视为灵魂与上帝神秘结合的寓言，而其他人则认为这是阿拉伯的婚礼仪式，或者从崇拜和神话的角度来看，是古老神祗伊什塔尔和塔木兹的结合。圣约翰福音》将玛利亚-抹大拉与基督复活相提并论。保罗-塞兰（Paul Celan）的诗歌《死亡赋格》（Death Fugue）中有一种最新的诠释，其中苏拉米斯体现了犹太受害者的原型。所有这些神秘的方面都融入了 "Danse sacrée "的形式中，其中舞蹈的身体性似乎与存在的内容相矛盾。这是一部令人印象深刻的大提琴和钢琴作品"

作曲家: Schneider, Enjott
乐器: cello and organ
出版社: Schott Music

曲目:
I I am black, yet comely - II The dance of Mahanaim Turn around, Shulamith - III Love is strong as Death

原文简介:
The 'Song of Songs' or 'Song of Solomon' addressed to Sulamith and ascribed to Solomon is one of the most mysterious texts of the Bible. If the character of Solomon itself is enigmatic, the character of the 'bride' is even more enigmatic. Saint Augustine and many other exegetes regarded this brilliant fireworks of the senses as an allegory of the mystic union of the soul with God while others recognized Arabian wedding rites or, in terms of cult and mythology, the union of the old deities Ishtar and Tammuz. The Gospel according to St. John draws many parallels to Maria Magdalena and the resurrection of Christ. One of the latest interpretations can be found in Paul Celan's poem 'Death Fugue' in which Sulamith embodies the prototype of the Jewish victim. All these mysterious facets are incorporated in the form of the 'Danse sacrée' in which the physicality of dancing seems to be contradictory to an existential content. An impressive composition for violoncello and piano.