Sepulchral City Music for Clarinet in Bb, Cello and Piano 钢琴三重奏 大提琴钢琴 朔特版

在这首三重奏中，约斯特和他的大多数作品一样，脑海中浮现出真实事件、电影和小说的画面和联想。约瑟夫-康拉德（Joseph Conrad）的小说《黑暗之心》激发了他创作这首曲子的灵感，小说中的主人公马洛在谈到布鲁塞尔这座城市时说：'几个小时后，我来到了一座城市，这座城市总是让我想起一座白色的坟墓。然而，在为纪念耶路撒冷室内音乐节十周年而创作的作品《墓穴之城》中，标题指的是白色墓穴之城耶路撒冷。约斯特三重奏的主题是进入一座城市的灵魂和生机，不需要任何身体动作，就能找到坚不可摧的黑暗之心：它就在城墙之内。就这一点而言，《墓穴之城》等同于一首在构图上展开的丧钟。即使是生动的中段，也是坚持而非渐进的力量。最后，唯一能做的就是吸气和呼气"

作曲家: Jost Christian
乐器: clarinet in Bb, cello and piano
出版社: Schott Music
原文简介:
In this trio, as in most of his compositions, Jost has pictures and associations with true incidents, films and novels in his mind. What inspired him to write this piece was Joseph Conrad's novel 'Heart of Darkness' in which the protagonist Marlow says about the city of Brussels: 'In a few hours I arrived in a city that always make me think of a whited sepulchre.' In 'Sepulchral City', a work commissioned to mark the tenth anniversary of the Jerusalem Chamber Music Festival, however, the title refers to Jerusalem, the city of white tombs. The topic of Jost's trio is a travel into the soul and living spirit of a city, with no physical movement being needed to find the heart of impenetrable darkness: It lies within the city walls. In this respect, 'Sepulchral City' equals a compositionally unfolded funeral bell. Even the animated middle section rather has insisting than progressive power. At the end, the only thing to do is to inhale and exhale.
难度: difficult