Selected Works for Piano Edited from the autographs, manuscript copies and original editions and their revisions 荀贝格 钢琴 手稿 钢琴独奏 维也纳原典版
过去几十年来，阿诺德-勋伯格的钢琴作品在古典音乐会曲目中占有一席之地。这部规模不大的作品之所以被接受，主要是表演音乐家的功劳。在爱德华-斯图尔曼（Eduard Steuermann）和埃尔斯-C-克劳斯（Else C. Kraus）树立榜样之后，格伦-古尔德（Glenn Gould）、毛里齐奥-波利尼（Maurizio Pollini）和克劳德-赫尔弗（Claude Helffer）等钢琴家（以及许多其他钢琴家）在他们的音乐会和录音中，将这组作品--《11、19、23、25和33a/b号作品》--作为一个具有历史和美学意义的整体来呈现。尤为重要的是，在音乐会中将这些作品与贝多芬的奏鸣曲一起编排，这对于广大听众而言，赋予了它们古典艺术作品的光环"
作曲家: Schoenberg, Arnold
编者: Brinkmann, Reinhold
校订者: Roggenkamp, Peter
乐器: piano
出版社: Wiener Urtext Edition
曲目:
Vorwort - Drei Klavierstücke op. 11, revidiert 1924 - Sechs kleine Klavierstücke op. 19 - Suite für Klavier op. 25 - Klavierstück op. 33a - Klavierstück op. 33b - Anhang: Drei Klavierstücke (1894) - Kritische Anmerkungen - Zur Interpretation von Schönbergs Klavierwerk - Interpretationshinweise zu den einzelnen Klavierstücken
In the last few decades, Arnold Schönberg's piano works have found their place in the classical concert repertory. The acceptance of this rather small oeuvre has largely been the work of performing musicians. After the examples set by Eduard Steuermann and Else C. Kraus, pianists such as Glenn Gould, Maurizio Pollini and Claude Helffer (as well as many others) have, in their concerts and recordings, presented this group of works – Opp. 11, 19, 23, 25 and 33a/b – as an historically and aesthetically significant totality. Of particular importance has been the programming of these pieces in concerts along with Beethoven's sonatas, which, for a large circle of listeners, has lent them the aura of classical works of art.