Scharlachrote Buchstaben 黑勒．芭芭拉 钢琴独奏 朔特版

1984年，钢琴家和大键琴演奏家弗朗茨彼得-戈贝尔斯（Franzpeter Goebels，1920-1988 年）受多梅尼科-斯卡拉蒂（Domenico Scarlatti）诞辰 300 周年之际委托，创作了《猩红的信》。最初的作品名称 "Lettere scarlattine "暗含了对这位意大利作曲家的敬意。作曲素材仅限于 D、E、C、Es（= S，口语 "Es"=德语记谱法中的 E 平调）和 A（源自多梅尼科-斯卡拉蒂名字的音素），以及 B（=德语记谱法中的 B 平调）和 H（= B 自然调）（我名字的首字母）。通过 7 个音调和 7 个声部，这首乐曲讲述了我与作曲家多梅尼科-斯卡拉蒂的邂逅，他是我当时最喜欢的作曲家之一。有时，我也会使用在斯卡拉蒂奏鸣曲中发现的作曲手段，如快速的 6/8 数位、后拍八度和短动机的重复。我试图将他音乐中的清晰、明快、欢快、惊人的调式和钢琴的辉煌转化为我的作曲语言。首演： 31. 首演：1987 年 10 月 31 日，乌纳国际女作曲家节；钢琴：罗萨里奥-马尔西亚诺"

作曲家: Heller, Barbara
乐器: Piano
出版社: Schott Music
原文简介:
Scarlet Letters was composed in 1984 on commission of the pianist and harpsichordist Franzpeter Goebels (1920–1988) on the occasion of the 300th birth day of Domenico Scarlatti. The original working title ”Lettere scarlattine” is a concealed homage to the Italian composer. The compositional material is limited to the tones D, E, C, Es (= S, spoken ”Es“ = E flat in German notation) and A, derived from the musical letters of Domenico Scarlatti’s name, and the tones B (= B flat in German nota tion) and H (= B natural), the initials of my name. With 7 tones and 7 parts, this music is a sort of story about my imaginary encounter with the composer Domenico Scarlatti who was then one of my favourite composers. Sometimes I also used compositional means which I discovered in the sonatas of Scarlatti, such as quick 6/8 figures, afterbeat octaves and repetitions of short motifs. I tried to translatethe clarity, brightness and cheerfulness, the astounding modulations and the pianistic brilliance of his music into my compositional language.Barbara HellerThe piece was recorded on CD by the American pianist Deborah Richards (WERGO 6610-02). First performance: 31. October 1987 International Festival of Women Composers, Unna; Rosario Marciano, piano.