Sarabanda P15a for violin and piano 雷斯匹基 小提琴钢琴 小提琴加钢琴 朔特版

为小提琴和钢琴而作的萨拉班达（Sarabanda）（P015a）是一首由三页纸组成的短篇作品，创作于 1897 年，在此首次出版。原稿是奥托里诺-雷斯皮吉作曲遗产编目人波蒂托-佩达拉（Potito Pedarra）私人档案的一部分。奥托里诺-雷斯皮基在青年时期创作了这部作品，同年他还创作了《D 小调奏鸣曲》（1897 年，P015）、《吉加》（P015b）和《活泼快板》（P015c），这些作品都是为小提琴和钢琴谱写的。1898 年，雷斯皮基将《萨拉班达》移调至 F 大调，以便将其纳入《钢琴组曲》（P022，未经编辑）。在 1920 年创作的未编辑芭蕾舞剧《哥伦比娜的阿斯图齐》（Le Astuzie di Colombina，Scherzo veneziano）（P130，未编辑）第二部分的《萨拉班达之墓》（Tempo di Sarabanda）中，可以辨认出萨拉班达主题的痕迹。为小提琴和钢琴而作的《萨拉班达》的亲笔手稿上有许多后人的标记，本版未予收录

作曲家: Respighi, Ottorino
编者: Bernecoli, Emy / Corazza, Elia Andrea
乐器: violin and piano
出版社: Schott Music
原文简介:
The Sarabanda for violin and piano (P015a) is a short composition consisting of three pages dated 1897, published here for the first time. The original manuscript is part of the private archive of Potito Pedarra, cataloguer of Ottorino Respighi’s compositional legacy. Ottorino Respighi composed this work during his youth in the same year as the Sonata in D minor (1897, P015), Giga (P015b) and Allegretto vivace (P015c), all scored for violin and piano. In 1898, Respighi transposed the Sarabanda to F major in order to incorporate it into the Suite per pianoforte (P022, unedited). Traces of the Sarabanda’s theme are recognizable in the Grave (Tempo di Sarabanda) of the second part of the unedited ballet Le Astuzie di Colombina (Scherzo veneziano), composed in 1920 (P130, unedited). The autograph manuscript of the Sarabanda for violin and piano has a number of posthumous markings which have not been included in this edition.