Regina Caeli RV 615 - Antiphon for Trumpet, Strings and Low Brass Critical Edition Score 韦瓦第 弦乐器 铜管乐器 弦乐

在维瓦尔第曾经拥有的手稿中，这首《圣母颂》的乐谱以亲笔签名形式留存，如今保存在都灵国立大学图书馆。很明显，它原本是一首四乐章的作品，可能创作于 1726 年，是为威尼斯的 Ospedale della Pietà 演奏的，但开头的两个乐章已经遗失，而这两个乐章肯定是在一个或多个独立的集会上演奏的。在这种情况下，重建完整的作品是不值得的，因此该版本以片段的形式呈现。该作品的声部由维瓦尔第用男高音谱号记谱，在圣母教堂中，一些女歌手使用了这一谱号，用今天的话来说，这些女歌手可被归类为 "低（或第二）次中音"。该乐谱的特别之处在于其中两个名为 "Trombe "的部分，几乎可以肯定这两个部分不是为铜管乐器演奏的，而是为 "marina 长号小提琴 "演奏的：这些小提琴经过特别改装，只有三根弦，独特的琴桥设计是为了模仿marina 长号喧闹、嘎嘎作响的声音

作曲家: Antonio Vivaldi
乐器: Strings; Trumpet; Basso Continuo
出版社: Ricordi
原文简介:
This Marian antiphon survives in autograph score among the manuscripts once in Vivaldi's possession, today preserved in the Biblioteca Nazionale Universitaria di Torino. It was evidently originally a four-movement work composed, possibly in 1726, for the Ospedale della Pietà in Venice, but the openingtwo movements, which must have occupied one or more separate gatherings, are lost. In these circumstances, a reconstruction of the complete work is not a worthwhile proposition, and the edition is therefore presented as a fragment. Its vocal part was notated by Vivaldi in the tenor clef, which was used at the Pietà by a number of singers among the figlie di coro who, in today's terms, would be classified as “low (or second) contraltos”. The score is of particular interest for featuring two parts named “Trombe” that are almost certainly not for brass instruments but for “violini in tromba marina”: specially adapted violins with only three strings anda distinctive bridge designed to mimic the raucous, rattling sound of a tromba marina.