Quartet 赖克 四重奏 总谱 博浩版

作曲家注：'四重奏'，在音乐会中被提及时，通常被认为是指'弦乐四重奏'。而在我的作品中，除了弦乐四重奏之外，在我的许多作品中发挥核心作用的四重奏是由两架钢琴和两件打击乐器组成的。在《沙漠音乐》、《六重奏》、《三乐章》、《四部曲》、《洞穴》、《舞曲》、《三个故事》、《你是（变奏曲）》、《振动变奏曲》、《钢琴与弦乐》、《丹尼尔变奏曲》、《双六重奏》和《无线电重写》中，它都是这样出现的，或者以更多钢琴或更多打击乐的扩展形式出现。在四重奏中，只有这一组：两支颤音琴和两架钢琴。这首曲子是我创作过的较为复杂的作品之一，它经常变换调性，也经常中断连续性以暂停或使用新的素材。虽然各部分难度不大，但却需要高水平的合奏技巧。乐曲的形式在历史上并不陌生：快、慢、快，没有停顿。慢板引入了我的音乐中通常没有的和声"

作曲家: Reich, Steve
乐器: 2 vibraphones and 2 pianos
出版社: Boosey & Hawkes
原文简介:
Composer's note:'Quartet', when mentioned in the context of concert music, is generally assumed to mean 'string quartet'. In my case, the quartet hat has played a central role in many of my pieces (besides the string quartet) is that of two pianos and two percussion. It appears like that, or in expanded form with more pianos or more percussion, in The Desert Music, Sextet, Three Movements, The Four Sections, The Cave, Dance Patterns, Three Tales, You Are (Variations), Variations for Vibes, Pianos and Strings, Daniel Variations, Double Sextet, and Radio Rewrite . In Quartet, there is just this group alone: two vibes and two pianos.The piece is one of the more complex I have composed. It frequently changes key and often breaks off continuity to pause or take up new material. Though the parts are not unduly difficult, it calls for a high level of ensemble virtuosity.The form is one familiar throughout history: fast, slow, fast, played without pause. The slow movement introduces harmonies not usually found in my music.