Pulcinella Suite 斯特拉温斯基．伊果 普尔钦奈拉组曲 长号加钢琴 博浩版

这首斯特拉文斯基的新古典主义杰作是小号演奏家、录音制作人、作家、伦敦大学教授、伦敦皇家音乐学院院长乔纳森-弗里曼-阿特伍德（Jonathan Freeman-Attwood）的心血结晶。它和它的姊妹版小号钢琴曲都是对各自乐器曲目的重要补充。作曲家自己的小提琴和大提琴转录曲《意大利组曲》是铜管乐版本的先驱，其中包含部分乐章，而这些新出版物则介绍了整个组曲。弗里曼-阿特伍德（Freeman-Attwood）在其博学的序言中概述了斯特拉文斯基原作《普尔辛内拉》中小号演奏的重要性及其与其他作品的关系，以及与 "17 世纪早期意大利和德国大合唱和清唱剧中熠熠生辉的优雅小号独奏部分的关系"[... 在这里可以听到小号以其无处不在的'巴洛克'身份与过去遥相呼应，而一段全新的'二重奏'文字则恳求演奏者和听众在'致敬'的镜厅中进一步反映这部作品。 "

作曲家: Stravinsky, Igor
编者: Freeman-Attwood, Jonathan
校订者: Pienaar, Daniel-Ben
乐器: trombone and piano
出版社: Boosey & Hawkes
原文简介:
This transcription of Stravinsky’s neoclassical masterpiece is the brainchild of Jonathan Freeman-Attwood, trumpeter, recording producer, writer, University of London Professor and Principal of London’s Royal Academy of Music. Both it and its sister edition for trumpet & piano represent a major addition to the repertory for the respective instruments. The composer’s own violin & cello transcriptions, Suite Italienne, were the precursor for the brass editions, containing a selection of movements, whereas these new publications present the entire suite. In his erudite preface, Freeman-Attwood outlines the importance of the trumpet writing in Stravinsky’s original Pulcinella and its relationship with his other works and with the “gleaming elegance of the solo obbligato trumpet parts which pepper the cantatas and oratorios of Italy and Germany in the early 1700s […] The trumpet can be heard here echoing the past with its ubiquitous ‘baroque’ identity, while a fresh ‘duo’ text implores the player and listener to reflect the work further in a hall of mirrors, ‘an hommage’.”