Piano Trios - Volume III 贝多芬 钢琴三重奏 亨乐版

在古典时期，一直到 19 世纪，钢琴三重奏都是一种音乐时尚。因此，贝多芬也有充分的理由效仿海登和莫扎特，创作这一体裁。他总共留下了 13 首钢琴三重奏。第三卷收录的作品几乎都有一些特殊之处：例如，作品 44 也不是一首完整的三重奏，而只有一个变奏乐章！WoO 37 是贝多芬还在波恩时创作的，其配器（钢琴、长笛和巴松管）非常引人注目。他为布伦塔诺家族的小女儿马克西米利安写了 WoO 39，"以鼓励她的钢琴演奏"。作品 38 是钢琴、单簧管和大提琴七重奏作品 20 的改编曲，最后一首作品仅在贝多芬波恩时期的一本素描本中流传下来。这些作品都没有贝多芬主要钢琴三重奏的分量，但它们仍然是贝多芬最高艺术成就的见证"

作曲家: Ludwig van Beethoven
校订者: Friedhelm Klugmann
乐器: Cello; Piano; Violin; Piano Trio
出版社: Henle Urtext Edition

曲目:
Beethoven: Trio for Piano, Violin and Violoncello B flat major WoO 39
Beethoven: Trio for Piano, Violin and Violoncello E flat major WoO 38
Beethoven: Trio G major WoO 37 (Piano, Flute and Bassoon) G major WoO 37
Beethoven: Trio E flat major op. 38 (Piano, Clarinet [Violin], Violoncello) E flat major op. 38
Beethoven: Trio E flat major Hess-Verz. 48
Beethoven: Trio E flat major op. 44

原文简介:
In the Classical period, and well into the 19th century, piano trios were something of a musical fashion accessory. There was thus good reason for Beethoven also to engage with the genre, following the example set by Haydn and Mozart. He left 13 piano trios in all. The works contained in Volume III almost all present a few peculiarities: opus 44 is also not a complete trio, for instance, but consists of only one single variation movement! WoO 37, written while Beethoven was still in Bonn, is striking for its scoring (piano, flute and bassoon). He wrote WoO39 for Maximiliane, youngest daughter of the Brentano family, “to encourage her piano playing.” Op. 38 is an arrangement of the Septet op. 20 for piano, clarinet and violoncello, and the last piece has come down to us only in one sketchbook from Beethoven's Bonn period. None of these works has the weight of Beethoven's major piano trios; nevertheless, they remain witnesses to his supreme artistry.