Piano Sonata No. 22 F Major Op. 54 Revised Edition 贝多芬 奏鸣曲 钢琴 亨乐版

书中收录了两首著名的奏鸣曲，分别是《瓦尔斯坦》Op. 作品 53 和作品 57，而 F 大调奏鸣曲作品 54 则一直生活在阴影之中，令人遗憾。在这首大型双乐章奏鸣曲中，贝多芬在第一乐章中尝试了鲜明的性格对比，并在第二乐章中演奏了技艺精湛的永动机二重奏。因此，这首奏鸣曲无论是在诠释上还是在技术难度的掌握上，都对钢琴家提出了相当大的挑战，也正因如此，这首奏鸣曲可能会被避而不谈。这首奏鸣曲在一个方面与贝多芬的许多早期作品命运相同：没有亲笔签名。因此，默里-佩拉希亚（Murray Perahia）和诺贝特-格尔施（Norbert Gertsch）只能将原版作为新版的数据源。与亨勒的贝多芬奏鸣曲新版本一样，佩拉希亚大师也提供了指法--以及他自己对这首奏鸣曲意义的评论"

作曲家: Ludwig van Beethoven
校订者: Murray Perahia
乐器: Piano
出版社: Henle Urtext Edition
原文简介:
Bookended by two famous sonatas, the Waldstein op. 53 and the Appassionata op. 57, the F-major Sonata op. 54 has always lived in the shadows, regrettably. In this first large-scale two-movement sonata, Beethoven experiments with striking character contrasts in the first movement and a virtuosic perpetuum mobile duet in the second. In both interpretation and mastery of technical difficulties, this sonata therefore poses a considerable challenge for pianists and might have been avoided for this reason as well. The sonata shares the fate of many early works by Beethoven in one respect: no autograph exists. Murray Perahia and Norbert Gertsch have thus only been able to examine an original edition as a source for their new edition. As always with the new editions of Beethoven sonatas from Henle, Maestro Perahia also provides the fingerings - and his own commentary on the meaning of this sonata.