Piano Sonata in E-Flat Major, D. 568 舒伯特 钢琴 奏鸣曲 降E大调

在舒伯特欢快的降E大调奏鸣曲中，听众并不知道作曲家经过了长时间的努力才完成了最终版本。最初的草图可追溯到 1817 年，当时的版本仍为三乐章，调性为降 D 大调；舒伯特可能直到去世前不久才完成了这首奏鸣曲。这首奏鸣曲于 1829 年在死后出版。降E大调奏鸣曲是舒伯特鲜为人知的钢琴奏鸣曲之一。但它却是一首迷人的抒情作品。这首奏鸣曲采用了许多细腻的阴影，避免了更大的戏剧性（所有乐章都以低沉的方式悄然结束），外乐章采用了摇摆流畅的三拍子。一个 "天堂般的长度"...舒伯特专家安德烈娅-林德梅尔-布兰德尔（Andrea Lindmayr-Brandl）撰写的序言和详细的评论部分提供了有关这部作品的起源、数据源和不同读法的大量信息。该版本的另一大亮点是由著名舒伯特诠释者马丁-赫尔姆申（Martin Helmchen）指法"

作曲家: Schubert Franz
乐器: Piano
出版社: G. Henle Verlag
原文简介:
In Schubert's cheerful E flat major Sonata, the listener is unaware that the composer struggled for a long time to arrive at its final version. Initial sketches date back to 1817, then still in a three-movement version and in the key of D flat major; Schubert probably only completed the sonata shortly before his death. It was published posthumously in 1829. The E flat Sonata is one of Schubert's lesser-known piano sonatas. But it is an enchantingly lyrical work. This is achieved by many fine shadings, the avoidanceof any greater drama (all the movements end quietly and in a subdued manner), and a rocking, flowing triple meter in the outer movements. A single “heavenly length” ... The Preface by Schubert expert Andrea Lindmayr-Brandl and the detailed Comments section provide extensive information on the work's genesis, the sources and variant readings. A further highlight of the edition is the fingering by the renowned Schubert interpreter Martin Helmchen.