Piano Sonata in D Major K311 (284c) Piano Solo 莫扎特 奏鸣曲 钢琴 亨乐版

在莫扎特的 18 首钢琴奏鸣曲中，这首 "小 "D 大调奏鸣曲有点像三色堇（或紫罗兰？与其他两首同调 D 大调奏鸣曲（K. 284，尤其是 K.576）相比，这首奏鸣曲在尺寸上显得 "很小"。它很少在音乐会上演奏，在钢琴课上也很少演奏。诚然，它没有 A 小调奏鸣曲 K. 310 的悲惨阴郁，也没有 C 大调奏鸣曲 K. 309 那样美妙深情的慢板乐章，而这两部作品曾于 1778 年在巴黎印刷。然而，K.311 在许多方面都具有钢琴 "价值"；在开头乐章中，我们可以练习几种标准的技术挑战（手部交叉、活泼的跑音、平行六度、大音程的颤音等）。慢板（Andante con expressione）磨练了表现力，而这对于许多键盘手来说并不总是那么自然（作曲技巧在第 25 小节也出人意料地出现了）。终曲采用活泼的 6/8 拍，不仅让人想起名副其实的 "狩猎奏鸣曲 "K. 576，而且几乎可以说是莫扎特钢琴协奏曲的独奏部分。总而言之：这首奏鸣曲是一个值得挑战的作品，它听起来比它的技术要求要难得多"

作曲家: Wolfgang Amadeus Mozart
校订者: Ernst Herttrich
乐器: Piano
出版社: Henle Urtext Edition
原文简介:
This “little” D Major sonata is somewhat the pansy (or violet?) among Mozart's eighteen piano sonatas. It is “little” in dimensions when compared to the two other sonatas in the same key of D Major (K. 284, and especially K. 576). It is very seldom heard in concert; and in piano lessons, too, is played less frequently. Admittedly, it is not enveloped by the tragic gloom of the Sonata in A minor K. 310, nor does it have a wonderfully heartfelt slow movement like the Sonata in C Major K. 309, these being the two works with which it was printed in Paris in 1778. K. 311, however, is pianistically “worthwhile” in many regards; in the opening movement one can practice several standard technical challenges (hand-crossings, effervescent runs, parallel sixths, tremolos at large intervals, etc.). The slow movement (Andante con expressione) hones expressiveness, something that does not always come naturally to many keyboardists (a compositional trick also makes a surprise appearance at bar 25). With its lively 6/8 meter, the finale in turn recalls not only the veritable “Hunt Sonata” K. 576 but could almost have come from the solo part of a Mozartean piano concerto. All in all: a worthwhile challenge, this sonata, which sounds much harder than its technical demands require.