Piano Pieces Band 1 Early Works - Edited from the sources 莫扎特 钢琴小品 钢琴独奏 维也纳原典版
伟大的艺术来自一个如此渺小的人！早在四岁时，莫扎特在键盘上的敏捷思维就令他的父亲惊叹不已。最初的作品是五岁孩子以非凡的速度创作的轻松舞曲。在他的一生中，除了奏鸣曲和变奏曲之外，他还创作了多首钢琴曲。他年轻时的作品大多写在为玛丽亚-安娜-莫扎特写的乐谱和所谓的伦敦素描本上，其中大部分是短小的舞曲，但也有长篇的独立乐章。从 1770 年代中期开始，主要是一些较大型的独立作品，包括幻想曲和回旋曲，它们可以与维也纳时期的奏鸣曲和变奏曲相媲美。第 1 卷收录了莫扎特青年时期的作品，这些作品完全适用于初级教学；它们构成了一个丰富多彩的曲目，可以替代年轻莫扎特经常演奏的几首钢琴曲，当然，本卷也收录了这些作品
作曲家: Mozart, Wolfgang Amadeus
编者: Leisinger, Ulrich
校订者: Zgubic, Maria
乐器: piano
出版社: Wiener Urtext Edition
曲目:
9 Klavierstücke (Ballettmusik aus Ascanio in Alba) bei KV 111 - 2 Ausführungsvorschläge zu KV 15g von Robert D. Levin - Klavierstück Es-Dur KV 32/14 - Pimpinella KV 33B - Menuett D-Dur KV 94 - Klavierstück F-Dur KV Anh. 206a - Klavierstück bei KV 42 (ergänzt von Robert D. Levin) C-Dur - Klavierstück (Veroneser Allegro) (ergänzt von Robert D. Levin) G-Dur KV 72a - Andantino Es-Dur KV 236 - 42 Stücke aus dem Londoner Skizzenbuch (KV 15rr ergänzt von Robert D. Levin) KV 15 - 8 Menuette KV 315g - 18 Stücke aus Nannerls Notenbuch (KV 9b ergänzt von Robert D. Levin) - 11 Menuette KV 176| 4 Kontretänze (Nr. 3 ergänzt von Robert D. Levin) KV 269b - 3 Stücke aus Le gelosie del serraglio (Nr. 3 ergänzt von Robert D. Levin) KV 135a - Menuett C-Dur KV 61g/II - 2 Klavierstücke (Nr. 2 ergänzt von Robert D. Levin) KV deest. - 12 Menuette KV 103
Great Art from One so Small!As early as the age of four, Mozart amazed his father with his quickness of mind at the keyboard. The first works are easy dance movements by the five-year-old who developed with extraordinary speed. During his lifetime, he wrote several piano pieces, apart from the sonatas and variations. The pieces from his youth, most of them written down in the music book for Maria Anna Mozart and in the so-called London sketch book, are mostly short dance movements, but already there are lengthy individual movements as well. From the mid-1770s, there are mainly are larger individual works, including fantasias and rondos which can stand up as equals to the sonatas and variations of the Viennese period. Volume 1 contains the pieces from his youth which are entirely suitable for elementary teaching; they constitute a varied repertoire of alternatives to the few frequently played piano pieces by young Mozart which, of course, are contained in this volume as well.Volume 1 contains the pieces from Mozart's youth which are ideally suited for elementary teaching; they constitute a varied repertoire of alternatives to the few frequently played piano pieces by young Mozart which, of course, are contained in this volume as well.