Piano Concerto No. 2 in G-minor Op. 22 Piano Reduction 圣桑斯 钢琴协奏曲 双钢琴 亨乐版

鉴于圣桑作为钢琴家和作曲家的天赋，他很早就开始接触钢琴协奏曲体裁是情理之中的事。但他明确放弃了当时在法国占主导地位的 "协奏曲辉煌"，而是宣称 "协奏曲的独奏部分必须像戏剧角色一样来安排和处理"。他在这首创作于 1868 年的第二钢琴协奏曲中实现了 "交响协奏曲 "的概念。独奏部分在技术上极具挑战性，同时又与乐队紧密相连。约翰内斯-翁布赖特（Johannes Umbreit）负责根据作曲家自己的双钢琴版本进行钢琴缩写；帕斯卡尔-罗热（Pascal Rogé）提供了独奏部分的指法"

作曲家: Camille Saint-Saens
校订者: Peter Jost
乐器: Piano
出版社: Henle Urtext Edition
原文简介:
Given Saint-Saëns' talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the “concerto brilliant” that was dominant in France at that time, declaring instead that “the solo part of a concerto must be set out, and treated, like a dramatic role.” He realised this concept of a “symphonic concerto” in this second piano concerto, composed in 1868. The solo part is technically very challenging, and at the same time closely bound up with the orchestra. Johannes Umbreit is responsible for the piano reduction, based on the composer's own version for two pianos; Pascal Rogé supplies the fingerings for the solo part.