Piano Concerto No. 1 E-Flat Major Piano and Piano Reduction 李斯特 钢琴协奏曲

李斯特根据自己的能力创作了两首钢琴协奏曲，这对于他这位音乐史上最伟大的钢琴家来说并不稀奇。在 19 世纪，这样的协奏曲作为 "名片 "是每个钢琴演奏家的期望。但令人吃惊的是，李斯特的协奏曲（除了一些草图和构思）并不是他在巴黎的早期演奏家时期创作的，而是在魏玛时期。因此，他的第一首降 E 调钢琴协奏曲实际上是在 1855 年才首演的。在这首协奏曲中，李斯特的交响诗经历了作曲家成熟的过程，其丰富多彩的配器和四个相互连接、动机交织的乐章的创新形式构思在这首协奏曲中显而易见。时至今日，第一钢琴协奏曲仍是钢琴曲目的主打曲目。这本Urtext版本描述了协奏曲漫长的起源和修订过程，研究了大量现存的手稿和印刷资料，并提供了作曲家最终版本的可靠音乐文本。经常演奏李斯特作品的杰出钢琴家克莱尔-黄慈提供了指法"

作曲家: Liszt Franz
乐器: Piano Duet
出版社: G. Henle Verlag
原文简介:
The fact that Franz Liszt wrote two piano concertos tailored to his own abilities is nothing unusual for one who was perhaps the greatest pianist in the history of music. In the 19th century such concertos were by all means expected of every piano virtuoso as “visiting cards”. But it is astonishing that Liszts concertos (apart from a few sketches and ideas) were not written in his early virtuoso period in Paris, but during his Weimar years. Thus the premiere of his 1st Piano Concerto in E flat in fact only took placein 1855. The process of maturing as a composer which Liszt had undergone up to that point in his symphonic poems is evident in this concerto, with its colourful orchestration and innovative formal conception of four interlinking, motivically-interwoven movements. The 1st Piano Concerto remains a firm staple of the piano repertoire today. This Urtext edition describes the protracted genesis andrevision of the concerto, examines the large number of surviving manuscript and printed sources, and offers a reliable musical text of the composer;s final version. The brilliant pianist Claire Huangci, who regularly performs Liszts works, has contributed the fingering.