Nutcracker Suite op. 71a 柴科夫斯基．彼得 胡桃钳组曲 4手联弹(含以上) 朔特版

胡桃夹子组曲》是对同名芭蕾舞剧音乐会版本的钢琴改编。柴可夫斯基在组曲中只使用了芭蕾舞剧的部分音乐。序曲》和《进行曲》是组曲中最重要的特色舞蹈，来自芭蕾舞剧的第一幕。其余的舞蹈来自第二幕。它们是 糖梅仙子之舞》，在原作中，主角几乎全程都是由钢片琴演奏的；《俄罗斯特雷帕克舞》热情奔放，让人联想到柴可夫斯基的民族血统；《阿拉伯舞曲》带着轻柔的忧伤；《中国舞曲》节奏铿锵有力；《芦笛舞曲》优美动人；最后是组曲中篇幅最长的《花之圆舞曲》： 柴可夫斯基在生命的倒数第二年创作了这首《花之圆舞曲》，展现了他与约翰-施特劳斯的音乐情结。 胡桃夹子组曲》于 1892 年 3 月 7 日在圣彼得堡俄罗斯音乐协会第九交响音乐会上首次上演，并获得巨大成功

作曲家: Tchaikovsky, Peter Iljitsch
编者: Esipoff, Stépan
乐器: piano (4 hands)
出版社: Schott Music

曲目:
Vorwort - Preface - Préface - Ouverture - March - Dance of the Fairy Dragée - The fiery Trepak - Dance Arabe - Chinese Dance - Dance of the Mirlitons - Flower Waltz

原文简介:
The Nutcracker Suite is a piano arrangement of the concert version of the ballet of that name. Tchaikovsky used only part of the music for the ballet in the suite. The Overture, and the March which is the most important of the characteristic dances in the Suite, come from the first act of the ballet. The remaining dances originate from the second act. They are: The Dance of the Sugar Plum Fairy, in which the leading part is, in the original composition, played typically by the celeste almost all the way through; the fiery Russian Trepak which reminds us of Tchaikovsky's national origins; the Arab Dance tinged with a gentle melancholy; the Chinese Dance with its tripping ostinato rhythm; the graceful Dance of the Reed Flutes; and finally the longest piece in the Suite: the Waltz of the Flowers in which Tchaikovsky, writing in the penultimate year of his life, showed his musical affinity with Johann Strauss.The Nutcracker Suite was perfomed for the first time, with great success, on 7 March 1892 at the Ninth Symphony Concert of the Russian Musical Society in St Petersburg.