Nocturne et Rondo op. 71/4 夜曲回旋曲 法国号 (含钢琴伴奏) 朔特版

尽管法兰克福作曲家赫森伯格（1908-1994 年）给人留下了深刻的印象，尤其是他的神圣合唱音乐，但他的作曲生涯是从钢琴、室内乐和管弦乐开始的。海森伯格一生都忠实于这些音乐体裁。1958 年至 1963 年间，他创作了五部微型作品，并将其合并为作品 71，其中他让管乐五重奏中的五种乐器在钢琴伴奏下分别 "发言"：长笛、双簧管、单簧管、圆号和巴松管。1962/63 年，作曲家为圆号创作了独奏曲《夜曲与回旋曲》，即作品 71 第 5 号。作品以一首富有表现力、令人回味的夜曲开始，随后回旋曲大胆展开，为独奏乐器提供了一个愉快而有趣的部分，中间部分富有表现力，最后的 "caccia "部分精彩绝伦，圆号和钢琴则在演奏中试图超越对方。这首中规中矩的现代'夜曲与回旋曲'采用了海森伯格典型的扩展调性，是音乐课和音乐会的有效曲目"

作曲家: Hessenberg, Kurt
乐器: horn in F and piano
出版社: Schott Music
原文简介:
Even though the Frankfurt composer Kurt Hessenberg (1908-1994) made a lasting impression, especially by his sacred choral music his career as a composer began with piano, chamber and orchestral music. All his life Hessenberg remained faithful to these genres. Between 1958 and 1963 he wrote five miniatures which he put together into Opus 71 and in which he let the five instruments of a wind quintet have their 'say' separately and with piano accompaniment: flute, oboe, clarinet, horn and bassoon.In 1962/63 the composer wrote a solo piece for the horn, 'Nocturne et Rondo', as Op. 71 No. 5. The work starts with an expressive and evocative nocturne before the rondo boldly begins, providing the solo instruments with an enjoyable and funny part, with expressive intermediate sections and a brilliant final 'caccia' section, while the horn and piano try to outdo each other at playing. Written in an extended tonality, as is typical of Hessenberg, this moderately modern 'Nocture et rondo' is an effective piece for both music lessons and concerts.