New Album leaves op. 49 20 Character pieces 柯希纳狄奥多 小品 钢琴独奏 朔特版

基什内尔是一位追求真理的多变的追求者，作为作曲家，他成为了一位瞬息万变的大师。他的重要性在于他的钢琴音乐。他的作品约有一千首。舒曼是他尊敬和崇拜的朋友，起初，舒曼是基什内尔的偶像，基什内尔给自己的作品取名为 "Neue Davidsbündlertänze "和 "Neue Kinderscener"。随后，其他极具个性的标题则更多地揭示了他个人风格的特点。Federzeichnungen"（钢笔和水墨素描）和 "Im Zwielicht"（在阴暗中）描绘了两个世界之间的生活，展现了基什内尔作品特有的脆弱魅力。两卷《新相册叶片》（Neue Albumblätter）见证了这个脆弱的世界。这些瞬息万变的素描在低动态范围内移动。调式、和弦变化和增强音变化将听众引入歧途；形式上的期望落空了。我们的版本基于奥格纳于 1880 年出版的两卷原版，并由肖特于 1911 年以新标题重新出版"

作曲家: Kirchner, Theodor
编者: Twelsiek, Monika
乐器: piano
出版社: Schott Music
原文简介:
Kirchner, a volatile seeker after truth, became, as a composer, a master of transient visions. His importance lies in his piano music. His work com-prises about a thousand individual pieces. Schumann, his revered and adored friend, proved initially to be an overpowering idol, and Kirchner gave his works titles like ‘Neue Davidsbündlertänze’, ‘Neue Kinderscener’. Subsequently other highly idiosyncratic titles reveal more about the special characteristics of his own style. ‘Federzeichnungen’ (Pen and Ink Sketches) and ‘Im Zwielicht’ (In the Gloaming) point to a life between two worlds and show a fragility which gives Kirchner’s works their own particular charm. The two volumes of the ‘Neue Albumblätter’ (New Albumleaves) are witness to this fragile world. These transient sketches move in the lower dynamic range. Modulations, shifting chords and enharmonic changes lead the listener astray; formal expectations are disappointed. Our edition is based on the original two volumes published by Augener in 1880 and reissued by Schott in 1911 under a new title.