Mozart Violin Cadenzas by Raymond Leppard 小提琴装饰乐段 小提琴独奏 朔特版

在指挥莫扎特小提琴协奏曲的美妙岁月里，我们与莫扎特小提琴协奏曲有过许多美好的邂逅--大多是与梅纽因、奥伊斯特拉赫、斯特恩以及最近的林祖亮（吉米）等极具天赋的演奏家合作。然而，我也曾在演出中害怕那些快板的冲击（我很高兴地说，只有少数几次），这些快板听起来像是帕格尼尼的模仿，或者是属于错误的世纪，大量的双终止符持续时间过长，冒险进入莫扎特不会认可的调性。在与吉米多次合作演出后，他要求我们提供合适的快板，既能展示小提琴独奏，又能对刚刚演奏的莫扎特音乐进行评论。这些曲子奏效了，索尼公司要求我们录制所有这些曲子，并欢迎海梅-拉雷多加入，录制莫扎特小提琴和管弦乐队的所有其他曲目。因此，肖特公司邀请我们出版这些快板，这就是结果"

编者: Leppard, Raymond
校订者: Lin, Cho-Liang
乐器: violin
出版社: Schott Music
原文简介:
Over the wonderfully enjoyably years of conducting, there have been so many fine encounters with the Mozart Violin Concertos – mostly with very gifted players like Menuhin, Oistrakh, Stern and, more recently, Cho-Liang (Jimmy) Lin. There have, however, been instances (only a few, I’m pleased to say) when I’ve come, in the performances, to dread the onslaught of those cadenzas, which sound like a send up of Paganini, or belong to the wrong century with a plethora of double-stopping lasting too long, venturing into tonalities Mozart would not have recognized. After several performances with Jimmy came a request from him for suitable cadenzas that showed off the solo violin while commenting on Mozart’s music he had just played. They worked, and Sony asked us to record them all and, with the welcome inclusion of Jaime Laredo, all the rest of Mozart’s violin and orchestra repertoire. This led to in an invitation from Schott to have the cadenzas published, and this is the result.