Morceau de Concert in F minor Op. 94 Horn and Piano 圣桑斯 音乐会 法国号(含钢琴伴奏) 亨乐版

与舒曼的 "四圆号音乐会小品 "作品 86（HN 1138）一样，圣桑的 "音乐会小品 "也是为了利用新型气门圆号装置的技术可能性而创作的。在这一作品中，法国圆号演奏家亨利-肖西埃（Henri Chaussier）提供了灵感。他发明了一种新颖的 "Cor omnitonique"，并希望通过圣桑的作品展示其乐器的优点。尽管 "Morceau de Concert "获得了认可，但肖西埃的发明并未得到圆号演奏家的认可！从今天的角度来看，这首只有一个乐章的通俗作品在技术上要求并不过高；此外，圣桑本人还建议对乐曲进行两次删节，以简化乐曲，这意味着即使是高年级学生也可以大胆地演奏这首作品

作曲家: Camille Saint-Saëns
校订者: Dominik Rahmer
乐器: Horn; Piano Accompaniment
出版社: Henle Urtext Edition
原文简介:
As with Schumann's “Concert Piece for four Horns” Op. 86 (HN 1138) Saint-Saëns' “Morceau de Concert” was also composed with the idea of exploiting the technical possibilities of the new valve-horn mechanism. In this case, the French horn player Henri Chaussier provided the impulse. He had developed a novel “Cor omnitonique” and wanted to demonstrate the merits of his instrument with Saint-Saëns' composition. Chaussier's invention did not gain acceptance amongst horn players - although the “Morceau de Concert” did! From today's standpoint the popular work with one movement is not overly demanding technically; in addition, Saint-Saëns himself suggested two abridgements to simplify the piece, meaning that even advanced pupils can venture to play it.