Monólogo 竖笛独奏

"降B（或A）单簧管独白 "中，音乐的戏剧性经历了不同的情感层面，类似于戏剧表演中一个演员或角色在舞台上的表现。在这首乐曲的不同时刻，冥想和其他更外向的精神状态以 "descarga "或即兴的形式显现出来，以一种矛盾的方式将不同程度的抽象性和自发性结合在一起。作曲家所采用的技术手段和表现手法取决于这种对立关系。在所选择的这些资源中，最突出的是在序列、不连贯的音程和跳跃中利用这种乐器的大部分音域，以及在音乐的执行中使用不同类型的色彩。除了节奏和力度的对比之外，模态转折、频繁的节拍调式和不规则的节奏值也是建立强大音乐表现力的重要因素。"独自 "演奏，同时使用受拉丁爵士乐或古巴 "卡西翁 "等不同音乐流派影响的音乐语言，并成功地诠释这首作品，对于已经熟悉这些音乐风格的器乐演奏家来说，将是一个令人愉快的挑战。(安娜-维多利亚-卡萨诺瓦）

作曲家: Zalba, Javier
乐器: clarinet (in A or Bb)
出版社: advance music GmbH
原文简介:
In “Monologue for Bb (or A) Clarinet”, the dramaturgy of the music passes through various emotional facets, similar to what happens during those theatrical performances where one single actor, or character, expresses himself on the stage. At different instants in the course of this piece of music, meditation and other more extrovert states of mind become apparent in the form of a “descarga”, or improvisation, conjoining – in a contradictory manner - varying degrees of abstraction and spontaneity.The technical tools and means of expression employed by the composer are contingent upon this antagonism. Among these resources chosen stand out the exploitation of a vast part of the register of this instrument throughout sequences, disjointed intervals and leaps, but also different types of colors applied to the execution of the music. Apart from agogic and dynamic contrasts, it is the predominance of modal turns, the frequent metric modulations and the irregular rhythmic values that are instrumental in building up a powerful musical expressiveness.Performing “all alone”, while using a musical language influenced by such dissimilar genres as latin jazz or the Cuban “canción”, and interpreting this composition successfully will represent a pleasing challenge to the instrumentalist who is already familiar with these styles of music. (Ana Victoria Casanova)