Mini Maestro Band 1 50 little Piano Pieces 钢琴小品 钢琴独奏 朔特版
三卷本的《迷你大师》以时间为序，介绍了从巴洛克、古典、浪漫和现代到爵士、流行和简约音乐等五个世纪的小钢琴曲，从非常简单的水平逐步提高到中级水平。在每卷的末尾，在 "更多共同演奏的乐趣 "标题下，还有三首钢琴二重奏乐曲。所有乐曲都简单易学，曲目丰富多样，是任何钢琴教程的理想补充，适合音乐会演奏、教学、考试和比赛。第 1 册包含不同音高的五指音域乐曲，其次是跨越八度音域的乐曲，节奏简单，和弦简单。此外，还包括不同风格的发音、左手旋律、八度或奥塔瓦记号、大小调和调号为升或降一的乐曲。第二册包含音域扩展到两个八度的乐曲，以及三声部或四声部（包括转位）的和弦序列。其他内容还包括踏板的使用、简单的装饰音、基本复调、区分旋律和伴奏、大调和小调的乐曲，调号最多有两个升号或降号。第三册包含音域达四个八度、节奏和速度要求更高的乐曲。此外，还包括音色的微妙对比、有表情的演奏、单手演奏多个声部，以及调号多达三个升或降的大小调高级复调
编者: Heumann, Hans-Guenter
乐器: piano
出版社: Schott Music
曲目:
Michael Praetorius (1571–1621): Old German Dance C major - Anonym (ca. 1600): Old German Dance G major - James Hook (1746–1827): Minuet C major - Alexander Reinagle (1756–1809): Allegro, Op. 1/4 - Charles Henry Wilton (1761–1832): Little Sonata C major; Moderato, Minuetto - Félix Le Couppey (1811–1887): Mélodie / Melody - Kaspar Jakob Bischoff (1823–1893): The Industrious Student - Friedrich Baumfelder (1836–1916): Melody F major - Oskar Bolck (1839–1888): Sonatina C major; Allegro, Andantino, Vivace - Moritz Wilhelm Vogel (1846–1922): Brave Knight - Kálmán Chován (1852–1928): Piano Piece G major - Erik Satie (1866–1925): Petit Prélude à la journée / Little Overture to the Day, Profiter de ce qu’il a des cors aux pieds pour lui prendre son cerceau / Taking advantage of someone else’s corns to steal his hoop - Béla Bartók (1881–1945): Folk Song - Georges Frank Humbert (1892–1958): The Cuckoo Clock; The Nodding Mandarin - Marko Tajcevic (1900–1984): For the Young; Piano Piece No. 1 - Henk Badings (1907–1987): Canon - Barbara Heller (*1936): Again and Again… - Hans-Günter Heumann (*1955): Clog Dance; Spanish Guitar Player; Harlequin Waltz; It’s Ragtime; Five-Note Rock; Little Pop Ballad; Northern Folk Dance; Boogie-Woogie Spirit - Henry Purcell (1659–1695): Air D minor - Georg Friedrich Telemann (1681–1767): Gavotte C major - Christoph Graupner (1683–1760): Bourée E minor - Jean-Philippe Rameau (1683–1764): Menuet en Rondeau C major - Leopold Mozart (1719–1787): Minuet D minor - Anonymous: Minuet F major - Daniel Gottlob Türk (1750–1813): The Lively Boy - Lullaby - Muzio Clementi (1752–1832): Arietta, Op. 42/5 - Anton Diabelli (1781–1858): Allegretto, Op. 125/3 - Charles Villiers Stanford (1852–1924): Scherzo F major - Alexander Gretchaninoff (1864–1956): Farewell, Op. 98/4 - Samuil Maikapar (1867–1938): A Fairy Tale, Op. 28/10 - Reverie, Op. 33/2 - Thomas Frederick Dunhill (1877–1946): Gavotte G Major - Béla Bartók (1881–1945): Quasi adagio - Carl Orff (1895–1982): Piano Study No. 6 - Friedrich Zehm (1923–2007): Melody - Hans-Günter Heumann (*1955): Tarantella D minor - Three four-handed Bonus pieces: - Anton Diabelli (1781–1858): Melodious Exercise, Op. 149/4 - Franz Schubert (1797–1828): Ländler, D 366/3 - Mátyás Seiber (1905–1960): Tango
The three-volume collection Mini Maestro presents little piano pieces advancing progressively from very easy to intermediate level, presented in chronological order across five centuries from the Baroque, Classical, Romantic and Modern eras through to jazz, pop and minimal music. At the end of each volume – under the heading More fun to play together – there are three additional pieces for piano duet. All the pieces are easy to learn and offer varied repertoire as an ideal supplement to any piano tutorial method with music suitable for concert performance, tuition purposes, examinations and competitions. Book 1 contains pieces in the five-finger range at various pitches, followed by pieces spanning an octave range with simple rhythms and easy chord sequences. Also featured are differing styles of articulation, melody in the left hand, octave or ottava signs, pieces in major and minor keys with key signatures of up to one sharp or flat. Book 2 contains pieces with an extended range of two octaves and chord sequences with three or four parts, including inversions. Other features include using the pedal, simple ornaments, basic polyphony, differentiating melody and accompaniment, pieces in major and minor keys with key signatures of up to two sharps or flats. Book 3 contains pieces with a range of up to four octaves with more demanding rhythms and speeds. Also included are subtle contrasts in tone, playing with expression, playing more than one part with one hand and advanced polyphony in major and minor keys with key signatures of up to three sharps or flats.