Malaguena Score and Parts 管乐团

埃内斯托-莱库奥纳 1895 年出生于古巴哈瓦那，可以说是古巴最伟大的严肃作曲家。他是一位天才钢琴家，在 1963 年去世前创作了数百首歌曲和钢琴作品。他的音乐作品大多具有浓郁、纯正的古巴风格。在他的作品中，最有名的是 1928 年首次出版的钢琴独奏组曲《安达卢西亚》的第六乐章 "Malagueña"。马拉盖尼亚》曾被录制成流行歌曲（添加了歌词）、严肃的钢琴作品（甚至由莱库奥纳本人在 20 世纪 50 年代录制）以及爵士乐标准曲目（比尔-霍尔曼在 20 世纪 60 年代初为斯坦-肯顿管弦乐队编曲）。1976 年，詹姆斯-巴恩斯（James Barnes）为堪萨斯大学行进乐队编排了《马拉古尼亚》。几年后，经出版商许可，他将这一原创编曲扩展为交响乐队的完整作品，名为 "莱库奥纳《马拉古尼亚》前奏曲、幻想曲和凡丹戈"。1978 年春，巴恩斯在科罗拉多斯普林斯的 MENC 大会上表演了几次后，这部作品和其他 200 多份巴恩斯手稿就被搁置在科大乐队图书馆里。2015 年，巴恩斯从堪萨斯大学退休，在收拾办公室物品时，他发现了这首沉睡已久的 "前奏曲、幻想曲和凡丹戈"，并保留了简谱。2016 年秋天，他完全重新创作了作品的开头部分，减少了所需打击乐器的数量，并取消了 1978 年版本中的两把竖琴。这一新版本中，单簧管、巴松管和长笛的独奏段落令人回味无穷、乐谱细腻、音域宽广，最后全管乐队以莱库奥纳的名作《马拉圭尼亚》中的主旋律为作品画上了一个有力、戏剧性的句号"

作曲家: Ernesto Lecuona
改编者: James Barnes
乐器: Concert Band; Symphonic Band
出版社: Southern Music Co.
原文简介:
Born in Havana, Cuba in 1895, Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich, authentic Cuban style. The most famous of his works is “Malagueña,” the sixth movement of his Suite Andalucia for solo piano, which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics), as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years, it has been arranged many times for various other mediums, ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976, James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later, with permission from the publisher, he expanded this original arrangement into a full work for symphonic band called “Prelude, Fantasy and Fandango on Lecuona's Malagueña.” After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs), this work, along with over 200 other Barnes manuscripts, lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015, Barnes came across this long languishing “Prelude, Fantasy and Fandango,” which remained in condensed score. In the fall of 2016, he completely re-composed the opening portion of the work, reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative, thinly scored, extended solo passages for clarinet, bassoon and flute before the full wind band concludes the work with a powerful, dramatic setting of the main themes of Lecuona's masterful Malagueña.
难易度: 5