Lyric Suite 抒情组曲 总谱 环球版

在《抒情组曲》于 1927 年 1 月 8 日首演前不到一年，阿尔班-贝尔格突然从几乎默默无闻的小人物一举成名，首演了《沃采克》。为弦乐四重奏创作的《沃采克》几乎不可能引起同等的关注，但它也很快取得了非凡的成功，而且，尽管它具有主观性和悲剧性，但至今仍是该体裁中最杰出、最有效的演奏家表演曲目。伯格所有音乐的特殊性和独特性都是显而易见的：一方面是非同寻常的强烈感情和隐含或明确的程序元素，另一方面是音乐设计、音乐构思甚至主题形式上前所未有的抽象性和严谨性。人们并不期望将这些可能存在分歧的倾向放在一起：在伯格那里，我们不仅发现了它们，而且他音乐语言中这些看似对立的方面，每一个都依赖于另一个

作曲家: Berg, Alban / Diverse
乐器: for string quartet
出版社: Universal Edition
原文简介:
Hardly more than a year before the first performance of the Lyric Suite on 8 January 1927, Alban Berg had suddenly emerged from almost total obscurity to world-wide fame with the premiere of Wozzeck. A composition for string quartet is hardly likely to excite comparable attention, but it, too, quickly achieved an extraordinary success, and to this day remains, for all its subjective and tragic character, the most brilliant and effective virtuoso display piece in its genre. The special and unique character of all of Berg's music is immediately and strikingly evident- on the one hand an extraordinary intensity of feeling and implied or explicit programmatic elements- on the other, an unprecedented abstraction and rigor in the musical design, in the working out of musical ideas and even in the very shape of the themes. One doesn't expect to find these presumably divergent tendencies together: ln Berg not only do we so find them, but each of these seemingly opposed aspects of his musical language is dependent on the other.