Little secular vocal works and piano sonatas 霍夫曼恩斯特 钢琴奏鸣曲 钢琴独奏 朔特版
E.T.A. Hoffmann 的音乐作品第一版于 20 世纪 20 年代开始出版，但由于经济状况不佳，加之这项事业超前于时代，因此未能成功。在这几年间，E.T.A. 霍夫曼专家弗里德里希-施纳普（Friedrich Schnapp）重新发现了几部以前不为人知或被认为已经失传的作品；他的亲密合作者格哈德-阿罗根（Gerhard Allroggen）在 "按时间顺序排列的主题目录 "中记录了霍夫曼的音乐作品。本版本就是在这一准备性研究的基础上，以 12 卷的批判性版本介绍了 E.T.A. 霍夫曼一半以上的音乐作品。省略的大部分作品是他的大量舞台作品。但除了他的主要戏剧作品《Undine》--在此首次以原作形式出版--这部分还包括《Die lustigen Musikanten》（布伦塔诺音乐喜剧的特别成功的改编）、《Liebe und Eifersucht》和他的第一部作品《Die Maske》（1799 年），这是现存唯一一部霍夫曼亲自改编剧本的大型戏剧作品。Zacharias Werner 的《Kreuz an der Ostsee》的附带音乐非常有趣，因为该剧声名远播。Arlequin》是霍夫曼芭蕾舞音乐的代表作。霍夫曼其他体裁的作品，包括圣乐、管弦乐、钢琴和室内乐、合唱曲、咏叹调和歌，均已完整出版。与舞台作品相比，这些作品的篇幅要小得多，其总体重要性及其在实际音乐创作中的用途也日益得到认可。每卷乐谱都有一篇序言，介绍了每部作品的起源和描述，还有一篇评论性评注，列出了数据源和必要的文字修改"
作曲家: Hoffmann, Ernst Theodor Amadeus
编者: Allroggen, Gerhard / Erhard, Alexander / Schnapp, Friedrich
乐器:
出版社: Schott Music
曲目:
Six Italian Duettinos for soprano, tenor and piano (1812) - Three Italian Canzonettas for soprano, 2 tenors, bass and piano (1812) - German Lieder and Choruses - Five Piano Sonatas (A major / F minor / F major / F minor / C# minor)
The first edition of the musical works of E.T.A. Hoffmann, begun in the 1920s, foundered as a result of adverse economical conditions and because it was an enterprise ahead of its time. In the intervening years the E.T.A. Hoffmann specialist Friedrich Schnapp has rediscovered several works previously unknown or believed lost; his close collaborator Gerhard Allroggen documented the musical œuvre of Hoffmann bibliographically in a ‚Chronological Thematical Catalogue‘ . The present edition is based on this preparatory research and presents more than half of E.T.A. Hoffmann‘s musical works in a critical edition of 12 volumes. Most of the works omitted consist of his numerous stage compositions. But apart from his main dramatic work ‚Undine‘- published here for the first time in its original form - this section also contains ‚Die lustigen Musikanten‘ (a particularly successful setting of Brentano‘s musical comedy), ‚Liebe und Eifersucht‘ and his first work ‚Die Maske‘ (1799), the only surviving large-scale dramatic work where Hoffmann himself adapted the libretto. The incidental music for Zacharias Werner’s ‚Kreuz an der Ostsee‘ is interesting because of the notoriety achieved by the play. ‚Arlequin‘ is representative of Hoffmann‘s ballet music. Hoffmann‘s work in other genres, including sacred music, orchestral works, piano and chamber music, choral pieces, arias and lieder, are all published complete. In contrast to the stage works, they are much smaller, and their general importance as well as their use for practical music making are increasingly recognized. Each music volume contains a preface with the genesis and description of each work as well as a Critical Commentary listing the sources and necessary textual emendations.