La Dorilla, RV 709 Reduction for Voice and Piano based on the Critical Edition 韦瓦第 坦佩的多丽拉 钢琴 声乐

本缩写源自 2019 年 11 月在本目录中出版的乐谱批判版。安东尼奥-维瓦尔第（Antonio Vivaldi）的《多丽拉》（La Dorilla）是根据安东尼奥-玛丽亚-卢奇尼（Antonio Maria Lucchini）的剧本改编的英雄田园歌剧，于 1726 年 11 月 6 日在威尼斯圣安吉洛剧院首演。六年后，该剧在布拉格的斯波克剧院以一个经过大幅缩减和修改的形式重新上演。1734 年，该剧最后一次重返威尼斯圣安杰罗剧院的舞台，尽管经过了大幅修改，但它再次获得了成功。其中许多朗诵被缩短，几首咏叹调被替换，有些乐章借鉴了维瓦尔第的其他歌剧，有些咏叹调则取自其他作曲家的作品，如约翰-阿道夫-哈斯（Johann Adolf Hasse）、杰米尼亚诺-贾科梅利（Geminiano Giacomelli）、多梅尼科-萨罗（Domenico Sarro）和莱昂纳多-利奥（Leonardo Leo）的作品。改编工作由威尼斯文学家巴托洛梅奥-维图里（Bartolomeo Vitturi）完成，他对剧本进行了调整，目的正是为了满足公众的需求，因为公众希望听到当年流行的作曲家最著名的作品。这个声乐乐谱版本包括历史背景的综合介绍、所采用的主要数据源的描述以及音乐文本的评论性注释的选择"

作曲家: Antonio Vivaldi
乐器: Voice; Piano Accompaniment
出版社: Ricordi
原文简介:
The present reduction derives from the critical edition of the score, published in this catalog in November 2019. Antonio Vivaldi's La Dorilla, a heroic-pastoral opera on a libretto by Antonio Maria Lucchini, was premiered at the Teatro SantAngelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant Angelo, where, despite being greatly revised, it was once again successful. Many of its recitatives had been shortened and several arias replaced, some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers, such as Johann Adolf Hasse, Geminiano Giacomelli, Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi, who adjusted the libretto with the precise aim of satisfying the demands of the public, which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text.