Kol Nidrei, Op. 47 Cello and Piano 布鲁赫 晚祷 大提琴(含钢琴伴奏) 亨乐版

除了广受欢迎的《第一小提琴协奏曲 Kol Nidrei》是马克斯-布鲁赫最著名的作品之一。这首忧伤的《希伯来旋律后的快板》写于 1880 年，是为大提琴家罗伯特-豪斯曼（Robert Hausmann）而作。这首曲子描写了两首古老的犹太歌曲，新教徒布鲁赫自己也承认，这两首歌的非凡之美深深打动了他。大提琴的男高音音色是犹太唱诗班歌声的理想载体，因此时至今日，"Kol Nidrei "仍为每一位大提琴演奏家提供了让乐器 "歌唱 "的绝佳机会。在这个以 1881 年第一版为基础的文本中，《Kol Nidrei》首次出现在经过学术研究证实的乌尔格版本中，为此不仅参考了音乐数据，还查阅了马克斯-布鲁赫档案馆的大量信件和档。克里斯蒂安-波尔泰拉（Christian Poltéra）为独奏部分的标记提供了说明"

作曲家: Max Bruch
校订者: Annette Oppermann
乐器: Cello; Piano Accompaniment
出版社: Henle Urtext Edition
原文简介:
Aside from his popular Violin Concerto no. 1, “Kol Nidrei” numbers among Max Bruch's most famous compositions. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor cello sound is the ideal medium for the voice of a Jewish cantor, and thus to this day “Kol Nidrei” offers every cellist a wonderful opportunity to make the instrument “sing”. In this text, based on the first edition of 1881, “Kol Nidrei” appears for the first time in an Urtext edition substantiated by scholarly research, for which not just the musical sources, but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part.