Interpretation How to shape a melodic line 格拉夫 诠释 长笛教材 朔特版

音乐诠释首先是一个塑造旋律或旋律线的问题。国际知名演奏家和教师彼得-卢卡斯-格拉夫（Peter-Lukas Graf）非常详细地解释了成功诠释所必须考虑的参数：节奏、节拍、语法、衔接、乐句、装饰音和隐含的复调等。他以 17-20 世纪长笛曲目中的大量实例为模板，从中总结出与各个时期相适应的诠释 "规则"。- 这些规则并非教条式的，而是要激发演奏者形成自己的观点"

作曲家: Graf, Peter-Lukas
乐器: flute
出版社: Schott Music

曲目:
About 'rules' - Preface - Golden rules for the interpreter - The structure and analysis of melody - Notes on the execution of ornamentation in the 17th and 18th centuries - Ornamentation in the 19th and 20th centuries - Phrasing - Rhythm - Accents - Dynamics - Tempo - Metre - Flexibility of rhythm/rubato - Shaping the musical phrase - Conclusion - Bibliography - Index - Musical examples

原文简介:
Musical interpretation is first and foremost a question of shaping a melody or the melodic line of a setting. Music, like any language, follows its own set of rules and a sufficient knowledge and familiarity with musical ‘grammar’ is therefore an essential prerequisite of any convincing interpretation.The internationally renowned performer and teacher Peter-Lukas Graf explains in great detail the parameters that have to be taken into account for a successful interpretation: rhythm, metre, agogics, articulation, phrasing, ornamentation and implied polyphony, etc. Numerous examples from the flute repertoire of the 17th–20th century serve as models from which he derives the ‘rules’ appropriate for an interpretation in keeping with each period. – These rules are not intended to be dogmatic but instead should stimulate the players to form their own opinion.