In the Midst of Nature Suite for piano solo in six movements 组曲钢琴 乐章 钢琴独奏 博浩版

莱奥卡迪娅-卡什佩罗娃（1872-1940 年）作为斯特拉文斯基的钢琴老师，在音乐史上一直只是一个脚注，如今却被重新发现。作为圣彼得堡音乐学院的双料毕业生，她是浪漫主义传统的钢琴演奏家和作曲家。她与当时一些伟大的音乐家，包括巴拉基列夫和奥尔都有交往。1900 年代，她曾在德国和英国演出，但在 1920 年后，她的事业逐渐衰落。A小调钢琴三重奏》（约1930-40年）的铅笔手稿于2019年在莫斯科俄罗斯国家音乐博物馆被发现。格拉汉姆-格里菲斯与古尔德钢琴三重奏的成员密切合作，对这部作品进行了编辑，并于2020年进行了世界首演。这部作品由四个乐章组成，时长 28 分钟，充满浪漫主义色彩，与最近重新出版的卡什佩罗娃版《大提琴奏鸣曲 1 & 2》同为一部作品"

作曲家: Kashperova, Leokadiya
乐器: piano
出版社: Boosey & Hawkes
原文简介:
Leokadiya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Mily Alexayevich Balakirev and Leopold von Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920.These new editions of the Cello Sonatas 1 & 2 have been broadcast and recorded, whilst new editions of her Symphony and hitherto unpublished Piano Concerto have recently been issued. Kashperova’s Romantic empathy with nature and childhood may be keenly observed in her chamber music and songs. The six-movement piano suite In the Midst of Nature (1910) in no exception in the way it uses evocations of nature to express nostalgia for her childhood in the peaceful and remote Russian countryside. In the Midst of Nature also resents an artfully graded progression, indicating that Kashperova probably shared this music with her many pupils: the early movements are within the range of the talented young player whilst the latter movements require the technique and interpretative maturity of a conservatoire student, the whole work being admirably suited to the professional recital.