Impromptus Piano Study Score 肖邦 钢琴 即兴曲 总谱 亨乐版

肖邦的四首即兴曲是弗朗茨-舒伯特创造的体裁，具有强烈的即兴特点，同时又洋溢着轻盈、庄重和高雅，这一点几乎出乎意料。本卷的前三首即兴曲即是如此。29、36 和 51。第一首创作于1837年，而另外两首则是肖邦在与女作家乔治-桑（George Sand）交往期间，在她的乡间别墅诺汉特（Nohant）创作的：作品36创作于1839年，作品51创作于1839年。作品36创作于1839年，作品51创作于三年后。幻想即兴曲》（作品 66）的作品编号容易让人产生误解，因为该曲作为四部作品中的第一部，早在 1834 年就已创作完成。肖邦显然没有想到要将其印刷，在他的朋友朱利安-方塔纳的努力下，这首曲子直到他去世后才得以发行。然而，印刷品与现存的亲笔签名--幸运的是--有很大出入，因此两个版本都在 Henle Urtext 版本中重现

作曲家: Frédéric Chopin
校订者: Ewald Zimmermann
乐器: Piano
出版社: G. Henle Verlag

曲目:
Chopin: Fantaisie-Impromptu c sharp minor op. post. 66
Chopin: Impromptu F sharp major op. 36
Chopin: Impromptu G flat major op. 51
Chopin: Impromptu A flat major op. 29

原文简介:
Hardly unexpectedly for a genre created by Franz Schubert, Chopin's four impromptus have a strongly improvisatory character, while still overflowing with fleet-footed lightness, as well as with dignity and tastefulness. This applies above all to the first three pieces of this volume, opp. 29, 36 and 51. Whereas the first was written in 1837, the othe two were composed during Chopin's relationship with the authoress George Sand, at her country seat of Nohant: op. 36 in 1839, op. 51 three years later. The opus number of the Fantaisie Impromptu, op. 66, is misleading since the piece had already been written in 1834 as the first of the four works. Chopin had apparently not envisioned its printing, and it was issued only after his death, thanks to the efforts of his friend Julian Fontana. The print diverges so strongly from the – fortunately – extant autograph, however, that both versions are reproduced in the Henle Urtext edition.