Hämmerklavier Part XII, Highway 61, after a blues by Fred MacDowell 艾格特摩利兹 蓝调 钢琴独奏 朔特版

子斯拉夫 "是一个完整的乐章，作曲家在其中将听众送上了一段旅程，一段未知的旅程；这段旅程呈现为一种释放的行为，将埃格特带离了我们这个星球的传统。"锤子斯拉夫 "这个标题并不是指音乐会钢琴，也不是指贝多芬的 "锤子斯拉夫奏鸣曲"，而是指一种特定的演奏方式：钢琴家不仅要触摸琴键，还要成为更广泛意义上的 "演奏者"。 第一至第十一首已收录在两卷中（ED 8622 和 ED 9137），并收录在作曲家演奏的 WERGO 唱片中（WER 6611-2）"

作曲家: Eggert, Moritz
乐器: piano, french harp and kazoo (1 player)
出版社: Schott Music
原文简介:
“Hammerklavier” is a full-length cycle in which the composer sends the listener on a journey, a journey into the unknown; this journey presents itself as an act of unleashing, taking Eggert on a departure from the traditions of our planet.The title does not refer to a concert piano, nor to Beethoven’s Hammerklavier Sonata, but to a specific manner of playing: the pianist does not only have to touch the keys, but to be a “performer” in the wider sense. Pieces I-XI have already appeared in two volumes (ED 8622 and ED 9137) and on a recording under WERGO (WER 6611-2) played by the composer.