Harmonies Poétiques et Religieuses Piano Solo 李斯特 诗与宗教的和谐 钢琴 亨乐版

海登于 1853 年出版了这部内容丰富的作品集，其中既有华丽的音乐会曲目（《贝涅迪克》和《乐章》），也有部分采用格里高利调式的简单短曲。这一卷的创作经历了漫长的岁月。早在 1835 年，《第 4 号》就出版了具有作曲革新意义的第一版，名为《诗歌与宗教和声》（Harmonies poétiques et religieuses），取自拉马丁（Lamartine）的同名诗集。1853年，李斯特放弃了这首重要的早期作品，将其改编成《亡者之笔》（Pensées des morts），形式稍显平滑，但仍具有相当大的影响力。亨勒在本卷的附录中重现了这首大胆的早期作品（《悔恨》和《欢乐》分别有 HN 984 和 748 版本）"

作曲家: Franz Liszt
校订者: Ernst-Günter Heinemann
乐器: Piano
出版社: Henle Urtext Edition

曲目:
Liszt: Ave Maria
Liszt: Miserere d'aprËs Palestrina
Liszt: Bndiction de Dieu dans la solitude
Liszt: Pense des morts
Liszt: Pater noster
Liszt: Hymne de l'enfant son rveil
Liszt: Funrailles
Liszt: Cantique d'amour
Liszt: Andante lagrimoso
Liszt: Appendix: Pense des morts (first version)
Liszt: Invocation

原文简介:
The substantial cycle, published in 1853, unites splendid concert pieces (Bénédiction and Funérailles) and simple, short compositions, which partly make use of Gregorian modes. The volume was composed over a long period of time. As early as 1835 No. 4 was published in a compositionally revolutionary first version entitled Harmonies poétiques et religieuses after the volume of poetry with the same title by Lamartine. In 1853 Liszt distanced himself from the important early piece, presenting it in a slightly smoother form as Pensées des morts, although it still had considerable impact. Henle has reproduced the bold early work in the appendix to this volume (Bénédiction and Funérailles are available as separate editions HN 984 and 748).