Grand Quintetto from the Clarinet Concerto K.622 莫扎特 钢琴五重奏协奏曲

对于古典单簧管演奏家来说，最诱人的两个损失是莫扎特《协奏曲》和《五重奏》的亲笔乐谱，据说这两部作品都是作曲家借给他的朋友安东-施塔德勒的，后来都丢失了。所有现存的单簧管乐谱都对这些作品进行了错误的改编，将独奏部分改编成了现代单簧管的较小音域（斯塔德勒的乐器将低音管扩展到了低音 C）。改编此类作品时，钢琴占据了单簧管部分的大部分，这样做的一个好处是没有音域限制，在目前的改编本中，我们可以发现原始低音管版本的可能残余。克里斯蒂安-弗里德里希-戈特利布-施文克（Christian Friedrich Gottlieb Schwencke）改编的这首曲子还有助于加强莫扎特本人所忽视的室内乐的一面，并为演奏者提供了额外的钢琴五重奏曲目

作曲家: Mozart Wolfgang Amadeus
校订者: Schwenke, Christian Friedrich Gottlieb
乐器: 2 violins, viola, cello, piano
出版社: Edition HH Limited
原文简介:
The two most tantalising losses for classical clarinettists are the autograph scores of Mozart's Concerto and Quintet, both supposedly lent by the composer to his friend Anton Stadler and subsequently lost. All surviving sources for clarinet misrepresent these pieces by adapting the solo part to the smaller ranger of the modern clarinet (Stadler's instrument had a basset extension to low C).One advantage of an adaptation of such works where the piano takes over the majority of the clarinet part is that there is no restriction on range, and in the present transcriptions we can detect possible remnants of the original basset version. This arrangement by Christian Friedrich Gottlieb Schwencke also serve to enhance a side of chamber music that Mozart himself neglected, and offer players an additional piano quintet to add to their repertoire; in addition it proves a valuable source of new readings and interpretative suggestions for clarinet players performing the "original" versions.