Gougalon Scenes from a street theatre 陈银淑 总谱 博浩版

部 20 分钟的作品副标题为 "街头剧院的场景"，最初由现代合奏团和西门子艺术项目为 "走进...... "项目委托创作，并于 2009 年在柏林和法兰克福首演。最终版本受跨时空乐团委托，于 2012 年在巴黎演出。标题源自古高地德语，指的是作曲家 2008-09 年在香港和广州旅行时经历的普鲁斯特时刻。在超大屏幕、超现代化建筑和闪闪发光的消费殿堂的不远处，古老而贫穷的居民区的氛围让她想起了 20 世纪 60 年代激进现代化之前的首尔，那是一个以贫穷和军事独裁为特征的时期。她尤其想起了儿时在首尔郊区多次见到的一个艺人团。Gougalon 是一种'想象中的民间音乐'，它风格化、自成一体，表面上看似原始"

作曲家: Chin, Unsuk
乐器: ensemble
出版社: Boosey & Hawkes

曲目:
Prologue (Dramatic Opening of the Curtain) - Lament of the Bald Singer - The Grinning Fortuneteller with the False Teeth - Episode between Bottles and Cans - Dance around the Shacks - The Hunt for the Quack's Plait

原文简介:
Sub-titles ‘Scenes from a street theatre’, this 20-minute work was originally commissioned by Ensemble Modern and the Siemens Arts Program for the project “into …”, and first performed in Berlin and Frankfurt in 2009. The final version was commissioned by Ensemble intercontemporain for performance in Paris in 2012. The title, derived from Old High German, refers to a Proustian moment experienced by the composer on a trip to Hong Kong and Guangzhou in 2008–09. The atmosphere of the old and poor residential neighbourhoods, not far from supersized video screens, ultramodern buildings, and glittering temples of consumption, brought to mind long forgotten childhood experiences of Seoul in the 1960s before the radical modernisation, a period characterised by poverty and military dictatorship. In particular she was reminded of a troupe of entertainers seen a number of times as a child in a suburb of Seoul. Gougalon is an ‘imaginary folk music’ that is stylised, broken within itself, and only apparently primitive.