Four Trios from the Renaissance Period 三重奏 乐段 竖笛3把以上 齐默尔曼版

乍看之下颇不寻常：单簧管演奏的是文艺复兴时期的坎松舞曲（即声乐）。理查德-施特劳斯认为，单簧管是最接近人声的乐器。因此，让学生和其他单簧管演奏者熟悉文艺复兴时期的音乐似乎是理所当然的。从技术角度看，这些曲目（坎佐内特）没有任何问题，但演奏者必须全神贯注，因为各声部都有自己的节奏方式。就教学而言，这些小三重奏对练习合奏大有帮助，而作为演奏曲目，它们则是宝贵而有趣的补充

作曲家: Morley, Thomas
校订者: Seebohm, Dietrich
乐器: 3 clarinets in Bb
出版社: Musikverlag Zimmermann
原文简介:
Rather unconventional on first sight: clarinets play Canzonets (i.e. vocal music) from the Renaissance period. According to Richard Strauss, the clarinet is the instrument that comes closest to the human voice. Thus, it seems legitimate to make students and other clarinet players familiar with Renaissance music. They (the Canzonets) pose no problem from a technical point of view, however, require the performer's absolute attention, because the parts have their own rhythmic ways. For instruction purposes, these little trios are of great help to practise ensemble playing, and as performance pieces they are a valuable and interesting addition to the repertoire.(taken from the preface)