Four Songs Op. 27 High Voice and Piano 史特劳斯理查德 高音

在理查德-施特劳斯为妻子宝琳-德-阿娜创作的众多作品中，作品 27 之《四首歌》占有特殊地位，因为作曲家于 1894 年 9 月 10 日将这些作品作为结婚礼物 "赠送给我心爱的宝琳"。与之前的歌曲集不同的是，这四首歌并不局限于一位诗人，而是施特劳斯将卡尔-亨克尔（Karl Henckell）的诗歌（《Ruhe, meine Seele》）和海因里希-哈特（Heinrich Hart）的诗歌（《Cäcilie》）与约翰-亨利-麦凯（John Henry Mackay）的两首诗歌（《Heimliche Aufforderung》和《Morgen》）结合在一起，形成了一束对比鲜明的热情洋溢的歌曲。作品 27 的第一版于 1894 年出版，为高声部而作，作曲家在世时又出版了中低声部的转调版本，这成为施特劳斯所有歌曲的惯例。Henle 在自己的低声部 Urtext 版本中重新使用了这些久经考验的转调版本。它还为 "Morgen!"提供了另一种转调方式，以便每位歌手都能选择最适合自己嗓音的转调方式

作曲家: Strauss Richard
乐器: High Voice;Piano Accompaniment
出版社: G. Henle Verlag
原文简介:
Among the many works that Richard Strauss wrote for his wife Pauline de Ahna, the Four Songs op. 27 occupy a special position, for the composer gave these “to my beloved Pauline” as a wedding present on 10 September 1894. In contrast to the earlier song cycles, this is not limited to a single poet, but rather Strauss combined here poems by Karl Henckell (Ruhe, meine Seele) and Heinrich Hart (Cäcilie) with two texts by John Henry Mackay (Heimliche Aufforderung and Morgen) into a contrasting bouquet of effusive songs. A sought-after concert singer, Pauline liked to include her husband's songs in her programmes. She very frequently chose the impressionistic final song, Morgen, which to the present day is the best known of the over 200 songs by Strauss. Besides the first edition published in 1894, the composers autograph, today preserved in New York, was carefully evaluated for the Urtext edition.