Five Romances 浪漫曲 大提琴加钢琴 朔特版

廉-基尔迈耶说："我的作品中也有幽默的成分，同时也是一种娱乐的尝试，这在当代音乐中并不常见，但威廉-基尔迈耶希望将欢乐与严肃并存。在《即兴曲》和欢快的《慢板小快板》中可以找到不同的音域，例如使用了踢踏音调。随后的《合唱》让音乐天衣无缝地进入了无调性。在第四首浪漫曲《舒曼之音》（Im Schumannschen Ton）中，二声部旋律被复杂化，以至于结尾与开头发生了扭曲，就像人类结合了多种不同的特质。这是一首幽默的乐曲，需要演奏者最纯粹的专注"

作曲家: Killmayer, Wilhelm
乐器: cello and piano
出版社: Schott Music
原文简介:
‘Humour plays a role, and my pieces are also an attempt to entertain people.’ Words not often associated with contemporary music, but Wilhelm Killmayer wants to place fun and seriousness side by side. Different tonal spheres are found in the “Impromptu” and the jaunty “Scherzo lento” which uses tap tones for example. The “Chorale” that follows allows the music to drift seamlessly into atonality. In the fourth romance ‘Im Schumannschen Ton’ (‘The Schumann Sound’), a diatonic melody is complicated so much that the ending distorts to the beginning, ‘just like man combines many different qualities’.In the concluding “Capriccio”, shifting time signatures and dynamic fluctuations are combined in a virtuoso manner. A humourous piece which demands the purest concentration from the players.