Five Easy Pieces op. 56 小品 长笛加钢琴 齐默尔曼版

长笛演奏家们都知道约阿希姆-安德森（18471-909 年）是一位创作了 188 首大师级练习曲的作曲家，一个多世纪以来，这些练习曲给音乐家们带来了挑战和灵感。这些练习曲是他的遗产，但不应完全掩盖他为长笛和钢琴创作的 54 部作品，其中既有辉煌的杰作，也有迷人的沙龙小品。安德森出生于哥本哈根，在父亲的指导下学习长笛。他成为当时最出色的长笛演奏家之一，年轻时曾在丹麦和俄罗斯交响乐团担任要职。1881 年，他移居柏林，并于次年成为柏林爱乐乐团的创始成员。安徒生的大部分长笛作品都是在柏林取得巨大成功期间创作的。虽然他的长笛演奏生涯在 19 世纪 90 年代初因舌头疾病而结束，但他仍继续为自己的乐器创作动听的乐曲。由于安徒生作品 56 的手稿下落不明，因此本出版物以齐默尔曼 1894 年出版的第一版为主要数据源。这些乐曲并不难，正如乐曲名称所示，但也不太容易，因为需要优美的抒情音调，甚至可以称其为抒情乐曲，因为乐曲的标题（《秋天》、《花朵》、《阳台下》、《小夜曲》、《昔日时光》）并不是程序化的，而是情感的表达"

作曲家: Andersen, Joachim
校订者: Dzapo, Kyle
乐器: flute and piano
出版社: Musikverlag Zimmermann
原文简介:
Flutists know Joachim Andersen (1847–1909) as the composer of 188 masterful etudes that have challenged and inspired musicians for over a century. These etudes are his legacy, but they should not completely overshadow his 54 works for flute and piano which include both brilliant showpieces and charming miniatures for the salon. Born in Copenhagen, Andersen learned to play the flute under his father's guidance. He became one of the finest flutists of his day and, as a young man, enjoyed prestigious positions in Danish and Russian orchestras. In 1881, he moved to Berlin, becoming a founding member of the Berlin Philharmonic Orchestra the following year. Andersen wrote most of his flute compositions during this enormously productive and successful period in Berlin. Though his career as a flutist ended in the early 1890s because of a debilitating tongue disease, he continued to compose lovely pieces for his instrument. Because the location of Andersen’s manuscript of Opus 56 is not known, the first edition of the pieces, published by Zimmermann in 1894, has been used as the primary source for this publication. The pieces are not difficult as already indicated in the name, but not too easy because a beautiful lyrical tone is needed, you could even call them lyrical pieces as the titles (In Autumn; The Flowers; Under the Balcony; Serenade; From former Times) are not programmatic but rather the expression of feelings.