Fantasy Pieces for Clarinet and Piano op. 73 Edited by Michael Kube, based on the sources 舒曼．罗伯特 幻想小品 钢琴 竖笛 1把以上加钢琴 维也纳原典版

罗伯特-舒曼在 1849 年 2 月的两天时间里创作了单簧管与钢琴幻想曲。几天后，克拉拉-舒曼和德累斯顿单簧管演奏家约翰-戈特利布-科特（Johann Gottlieb Kotte）首演了这些作品。舒曼最初为自己的作品取名为 "Soirée Pieces"，最后决定以 "Fantasy Pieces"（幻想曲）的名义出版，以此强调作品的诗意。 单簧管演奏家伊丽莎白-艾兴伯格（Elisabeth Eichenberg）的诠释说明也以这些内涵为中心，并特别提到了单簧管音色的当代美学。该版本以 1849 年出版的第一版为基础，并加入了舒曼个人副本中的后续更正。流传下来的作曲手稿起到了重要的校正作用。除了原始的 A 调单簧管声部外，该版本还收录了 B 调单簧管的转调声部，以便让更多的单簧管爱好者能够欣赏到这些浪漫主义单簧管曲目中的标准作品"

作曲家: Schumann, Robert
校订者: Roggenkamp, Peter
乐器: clarinet and piano
出版社: Wiener Urtext Edition

曲目:
Fantasiestück I (Zart und mit Ausdruck) - Fantasiestück II (Lebhaft, leicht) - Fantasiestück III (Rasch und mit Feuer)

原文简介:
Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community.