Fantasy D minor KV 397 Urtext 莫扎特 幻想曲小调 歌词 钢琴独奏 维也纳原典版

这一新版本表明，莫扎特的这首脍炙人口的作品是他在维也纳时期的成熟之作，这与之前的假设相反，而且传统的结尾与原始版本并不一致。众所周知的结尾小节当然也包括在这一版本中，但事实上这并不是莫扎特本人所写，而很可能是奥古斯特-埃伯哈德-缪勒所写，他因此将这首曲子塑造成了独立的作品。然而，莫扎特的手稿版本（如第一版所记载）提前十小节在一个属七和弦上结束，为进一步发展留出了余地，因此可以想象《幻想曲》最初是作为 D 大调奏鸣曲（事实上是另一首晚期奏鸣曲 K 576）的引子而写的。有了这些信息，该版本为演奏这首广为人知的作品增添了全新的维度"

作曲家: Mozart, Wolfgang Amadeus
编者: Leisinger, Ulrich
校订者: Kann, Hans
乐器: piano
出版社: Wiener Urtext Edition

曲目:
Sonate B-Dur KV 281 - Sonate G-Dur KV 283 - Sonate F-Dur KV 280 - Sonate D-Dur KV 311 - Sonate D-Dur KV 284 - Sonate C-Dur KV 279 - Sonate a-Moll KV 310 - Sonate Es-Dur KV 282 - Sonate C-Dur KV 309

原文简介:
This new edition indicates that Mozart’s popular composition is a mature work dating from his time in Vienna, contrary to previous assumptions, and that the traditional ending does not correspond to the original version. The well-known closing bars, which have of course been included in this edition, were not in fact written by Mozart himself, but probably by August Eberhard Müller, who thereby shaped the piece to stand on its own. Mozart’s manuscript version however, as documented in the first edition, ends ten bars earlier on a dominant seventh chord, leaving the way open for further development and making it conceivable that the Fantasie was originally written as an introduction to a sonata in D major (to another of the late sonatas, K 576, in fact). With this information, the edition adds a totally new dimension to the performance of this widely known piece.