Fantaisie brilliante sur l'Africaine (Original edition) 玻尔内 华丽的 长笛加钢琴 齐默尔曼版

关于弗朗索瓦-博尔内，人们知之甚少，甚至连他的生卒年（1840 - 1920 年）也无从考证。他曾在图卢兹担任长笛教授，出版过一本关于长笛制作的理论著作（与长笛制作师 Djalma Julliot 合作），并创作了大量长笛作品。他对贾科莫-梅耶贝尔（Giacomo Meyerbeer）的歌剧《阿非利加娜》（L'Africaine）所作的幻想曲技艺高超，对专业长笛演奏家来说是一项挑战。不过，在成功跨越技术悬崖之后，演奏者和观众都将在这首作品中获得无穷乐趣。歌剧史上的奇闻： 在创作过程中，歌剧的情节从非洲转移到了印度，但标题却没有改变，这主要是因为这部歌剧当时已被命名为《非洲人》（L'Africaine）。在我们的标题画面中，我们使用了印度动机来指代歌剧的内容而非标题"

作曲家: Borne, Francois
校订者: Wiese, Henrik
乐器: flute and piano
出版社: Musikverlag Zimmermann
原文简介:
Little is known about François Borne, even his birth and death year (1840 - 1920) (?) are not verified. He was professor for flute in Toulouse, published a theoretical work about flute making (together with the flute maker Djalma Julliot) and he composed an handful of flute works. His fantasy about Giacomo Meyerbeer's opera L'Africaine is highly virtuoso and can be a challenge for professional flutists. Having successfully managed the technical cliffs, however, the player as well as the audience will have great fun with this piece. A curiosity in opera history: While still being written, the plot of the opera was transferred from Africa to India, but the title was not changed, mostly because the opera had already been announced as L'Africaine. In our title image we have used Indian motives to refer rather to the contents than to the title of the opera.