Fanal 总谱 博浩版

题 "Fanal"（源于希腊语 "phanos"，即烽火台）指的是 "火红的烽火台 "的形象，而这正是这部作品的创作理念。音乐语言--尤其是在作品的开头--就像突然迸发的火焰；其他时刻则暗示着火焰的闪烁、舔舐和几乎一动不动的光芒，而结尾则描绘了火焰逐渐熄灭的过程。独奏小号在这一活动中以不同的视角进行演奏：它并不总是在前景，也可以在中间听到，有时甚至在 "音景 "的背景中。自贝多芬第三交响曲以来，有时被称为 "英雄 "音符的 "声音符号 "降 E 音也发挥了重要作用。最后，我们来谈谈编码的象征意义：在作品的音乐结构和形式所依据的 32 个音符的 "音形 "中，20 至 24 号音符的排列是为了让它们在半音阶中的数字位置呈现出以下数字组合： 14.7.(17)89. 该作品的创作恰逢法国大革命二百周年，并受到了这一事件的影响"

作曲家: Hoeller, York
乐器: trumpet and orchestra
出版社: Boosey & Hawkes
原文简介:
The title Fanal (from the Greek, ‘phanos’, a beacon) refers to the image of a a ‘fiery beacon’which forms the idea behind the work. The musical language - particularly at the work’s opening - resembles a sudden bursting into flames; other moments suggest the fitful flickering, the even licking, the almost motionless glow of the flames, while the close depicts the gradual dying of the fire. The solo trumpet performs in the midst of this activity at different perspective levels: by no means always in the foreground, it can also be heard in the middle and occasionally even in the background of the ‘soundscape’. The ‘sound-symbol’, E flat, sometimes called the ‘heroic’ note since Beethoven’s Symphony No.3, also plays an important role. A word, finally, about the encoded symbolism: within the 32-note ‘sound-shape’ on which the work’s musical structure and form are based, notes 20 to 24 are arranged so that their numerical position within the chromatic scale gives the following combination of numbers: 14.7.(17)89. The work’s composition coincided with and was influenced by the bicentenary of the French Revolution.