Exploring Folk Fiddle An Introduction to Folk Styles, Technique and Improvisation 民谣提琴导奏民谣 即兴演奏 小提琴独奏 朔特版
这本深入浅出的辅导书由著名小提琴演奏家和教师克里斯-海（Chris Haigh）编写，是古典小提琴手和小提琴手掌握这门艺术的完美之选。 * 涵盖了民间小提琴技巧的各个方面，从装饰音到模式和音阶，从弦乐到即兴演奏和作曲。 * 本书以爱尔兰传统音乐为中心，但也涉猎英国、苏格兰、斯堪的纳维亚、东欧、克莱兹梅尔、卡金和美国老式传统音乐。 * 附有克里斯-海与现场伴奏乐队演奏的所有乐曲的录音（可下载）。民间小提琴和古典小提琴就像粉笔和奶酪一样不同。乍一看，民间小提琴似乎非常简单，几乎不值得费心。曲调通常不超过 32 小节，保持在第一位置，甚至没有作曲家。然而，正是那些没有写在纸上的东西，让民谣小提琴变得如此有趣和具有挑战性。本书试图从总体观察到最微小的细节，探讨小提琴手需要了解哪些知识才能让这些曲调鲜活起来。我们需要了解它们的历史和背景、目的、结构和脉搏。涵盖的主要领域包括： * 曲调类型和结构 * 装饰音 * 弓法 * 调式和音阶 * 和弦 * 开头、结尾和连接 * 变奏、即兴和作曲 * 以 "套 "的形式演奏曲调 * 地区和个人风格 * 在会议、比赛和舞蹈中演奏"
编者: Haigh, Chris
乐器: Violin
出版社: Schott Music
曲目:
Introduction - Tune Types - More Tune Types and Structures - Ornamentation - Bowing - Modes and Scales - East European, Klezmer and Untempered Scales - Tunings - What's Missing? Variation, Improvisation and Composition - The Joy Of Sets - Playing For Dancing - Odds And Ends
* This in-depth tutor book, from renowned fiddle player and teacher Chris Haigh, is perfect for classical violinists and fiddle players looking to master the art. * Covering all aspects of folk violin technique from ornamentation to modes and scales, and from scordatura to improvisation and composition. * The book is centred around Irish traditional music, but also dips into English, Scottish, Scandinavian, East European, Klezmer, Cajun and American Old-Time traditions. * Accompanied by audio recordings (to download) of all pieces performed by Chris Haigh with a live backing band. Folk fiddle and classical violin are as different as chalk and cheese. At first glance, folk might seem so simple it’s hardly worth bothering with. The tunes are often no more than 32 bars long, they stay in first position, and they don’t even have a composer. However, it’s what’s NOT written on the page that makes folk fiddle so interesting and challenging.This book attempts to explore, from general observation down to the finest detail, what the fiddler needs to know to bring these tunes alive. We need to understand their history and context, their purpose, their structure and pulse. And we need to be able to add all the stylistic elements that come not from reading the music, but from years of immersion in folk music, both listening and playing.Key areas covered include:* Tune types and structures * Ornamentation * Bowing * Modes and scales * Scordatura * Starts, endings and links * Variation, improvisation and composition Playing tunes in “sets” * Regional and individual style * Playing in sessions, for contests, and for dancing