Etudes and Caprices for Violin Solo Op. 35 Violin and Piano 小提琴 钢琴 练习曲随想曲 亨乐版

维也纳人雅各布-唐特被认为是十九世纪最重要的小提琴教育家之一，他撰写的大量研究论文至今仍是小提琴教学文献中不可或缺的经典之作。其中最重要的是他的 24 首 "Études et Caprices" 作品 35，这些作品创作于 1840 年至 1850 年之间。其中最重要的是他的 24 首 "Études et Caprices "作品 35，这些作品写于 1840 年至 1849 年之间，由唐特在 1880 年出版的经过全面修订的选集中以最终形式发行。这套非常高级的练习曲集（音乐学院水平）迅速获得了巨大成功，以至于在二十世纪出现了无数新版本，其中大部分都是小提琴家卡尔-弗莱施（Carl Flesch）、马克斯-罗斯塔尔（Max Rostal）或伊万-加拉米安（Ivan Galamian）的大量改编版本。现在，G. Henle 出版社的Urtext 版本首次还原了原汁原味的原版，并附有唐特真实的指法和弓法建议，而且图文并茂，折页实用，令人印象深刻。世界级小提琴家和著名教学家安特耶-魏特哈斯（Antje Weithaas）担任了这一版本的顾问，并对唐特的原始标记进行了精心补充"

作曲家: Jakob Dont
校订者: Dominik Rahmer
乐器: Violin
出版社: Henle Urtext Edition
原文简介:
The Viennese Jakob Dont is considered one of the most important violin pedagogues of the nineteenth century and wrote numerous studypieces that are indispensable classics of the pedagogical literature for the violin to this day. Among them are, foremost, his 24 “Études et Caprices” op. 35, which were written between 1840 and 1849 but issued in their definitive form by Dont in an overhauled anthology from 1880. This very advanced collection of etudes (conservatory level) was rapidly so successful that innumerable new, mostly heavily reworked editions appeared in the twentieth century from violinists such as Carl Flesch, Max Rostal, or Ivan Galamian. Now for the first time, G. Henle Publishers' Urtext edition restores access to the unadulterated original with Dont's authentic fingering and bowing suggestions, and in impressive graphic quality with practical fold-out pages. World-class violinist and prominent pedagogue Antje Weithaas acted as a consultant for this edition and carefully supplemented Donts original marking.