Etre Ou Ne Pas Etre (trombones 4) 长号

"法国作曲家和指挥家亨利-托马西（1901-1971 年）于 1963 年出版了《巴松管协奏曲》。与他的其他管乐作品一样，为低音长号或大号和 3 支长号创作的《To be or not to be》也深受听众欢迎。 托马西出生于马赛，但他的父亲和母亲原籍科西嘉岛的拉卡辛卡。尽管父母强迫他学习音乐，但托马西的梦想是成为一名水手，暑假期间，他住在科西嘉的祖母家，学习科西嘉传统歌曲。然而，1921 年，他开始在巴黎音乐学院学习，并成为一名知名作曲家和指挥家。托马西并没有忘记自己的科西嘉血统，他经常将夏天与祖母一起学习的歌曲主题融入自己的创作中。To be or not to be》是为长号四重奏创作的一首极不寻常的现代作品。这首作品运用了调性、节奏和结构等多种元素。然而，托马西的这首作品适合高级大号和长号演奏者，为乐器合奏曲目提供了令人兴奋的另一种选择""

作曲家: Henri Tomasi
出版社: Alphonse Leduc

曲目:
Etre Ou Ne Pas Etre

原文简介:
“French composer and conductor, Henri Tomasi (1901-1971) published Concerto for Bassoon 1963. As with his other wind compositions, To be or not to be for Bass Trombone or Tuba and 3 Trombones was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican roots, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. To be or not to be is a highly unusual and modern work for Trombone quartet. The composition exploits tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced Tuba and Trombone players, provides an exciting, alternative addition to the instrument's ensemble repertoire.”