Erik Satie - Gnossiennes Piano 萨悌 格诺辛纳斯 钢琴 亨乐版

与《赞美诗》一样，《夜莺》也暗指古希腊传统。也许是受到 1889 年巴黎世界博览会的启发，萨蒂使用了东方的装饰手法。他凭借对 "流行 "音乐趋势的敏锐直觉，将异国元素与卡巴莱音乐的影响相结合，当然还有他自己的想法，创造出了非常新颖的作品。其中几首 "Gnossiennes "让人大吃一惊，因为在音乐的字里行间夹杂着令人费解的文字片段。根据萨蒂的说法，这些文字并不是用来朗读的，而是在作曲家和演奏者之间建立一种秘密的联系--这是一种创造性的挑战，我们将在我们的Urtext版本中把这种挑战传递给当今的音乐家

作曲家: Erik Satie
校订者: Ulrich Krämer
乐器: Piano
出版社: Henle Urtext Edition
原文简介:
Like the Gymnopédies, the Gnossiennes also allude to ancient Greek traditions. Perhaps inspired by the World Exhibition in Paris in 1889, Satie made use of oriental ornamentation. With his subtle intuition for musical tendencies that were “en vogue,” he combined exotic elements with influences from cabaret music and, of course, his own ideas to create something very new. Several of the “Gnossiennes” take one by surprise on account of puzzling fragments of text between the lines of music. According to Satie they were not supposed to be read aloud but to create a secret link between composer and player – a creative challenge, which we are passing on to present-day musicians in our Urtext edition.