Easy Concert Pieces Band 1 16 Pieces from 5 Centuries 音乐会小品 小品 长笛加钢琴 朔特版
简易音乐会曲目 "系列精选了从文艺复兴、巴洛克和古典时期到现代的长笛和钢琴简易音乐会曲目。为便于在音乐学校、比赛或考试中选择演奏和试奏曲目，这些曲目已按音乐和技术难度排序：第 1 卷（ED 22925）收录了非常简单至简单的曲目，音域达两个八度。这些旋律一般如歌，直观明了，需要简单的呼吸技巧。第 2 卷（ED 22926）收录了旋律明显活泼的简单至中级乐曲。随着音域和动态范围的扩大，音准变得越来越重要。节奏包括附点音符、切分音和简单装饰音的引入，这也要求相应的精确度。第 3 册（ED 22927）要求长笛的全部音域。除了对手指技巧的要求越来越高外，现在的主要重点是富有想象力的乐句，例如，使用更广泛的动态、音色、发音和敏捷的乐句，始终与钢琴积极对话
编者: Albrecht, Stefan / Koppelkamm-Martini, Gerda
乐器: flute and piano
出版社: Schott Music
曲目:
P. Attaignant: Gaillarde - G. Mainerio: Tedesca - M. Praetorius: Dance - Anonymus: Shepherd's Hey - A. Krieger: Minuet - J. Fischer: Bourrée - J.P. Eisel: Paisanne - J. Clarke: Prince of Denmark's March - J. Krieger: Bourrée - A. Vivaldi: Allegro from: Spring - A. Vivaldi: Largo from: Winter - Anonymus: Greensleeves to a Ground - J.A. Hasse: Bourrée - J. Haydn: Andante - J. Hook: Allegretto - M. Schönmehl: Walking by the Sea
The Easy Concert Pieces series presents a varied selection of easy concert pieces for flute and piano from the Renaissance, Baroque and Classical periods through to the modern era. To facilitate choosing individual pieces for performance and auditions at music schools, competitions or examinations these pieces have been ordered according to level of musical and technical difficulty:Volume 1 (ED 22925) contains very easy to easy pieces with a range of notes up to two octaves. These generally song-like and intuitively straightforward melodies require simple breathing techniques. Phrasing is supported throughout by clear and straightforward piano accompaniments.Volume 2 (ED 22926) contains easy to intermediate pieces with distinctly livelier melodies. With an extended range of notes and dynamic shading, intonation becomes increasingly important. Rhythms include dotted notes, syncopations and the introduction of simple ornaments, which also call for corresponding precision.Volume 3 (ED 22927) requires the full range of notes on the flute. Besides increasing demands on finger technique, now the main focus is on imaginative phrasing, using, for example, a wider range of dynamics, tone colours, articulation and agogic phrasing, always set in active dialogue with the piano.All the pieces are included on the accompanying CD, as full version and play-along version (piano accompaniment).